1) Giving trial and first month customers a great experience out of the block. Would you go past the 10 day trial period of you had to wait a week for a title Blockbuster has on the shelf now? 2) Keeping profitable customers happy. Wired magazine's Dec 2002 issue reported that Netflix loses money due to postage costs if a customer rents more than 5 movies a month. Keeping your customers who produce the best profit margins happy is a no brainer. The customers who take a lonnnnggg time to watch their movies and then stick their discs back in the mail are incredibly important to Netflix. 3) Letting unprofitable customers drop off. I think this may be more of an unintended but acceptable consequence rather than the goal. Certainly many heavy users have in the past and will in the future quit Netflix due to frustration over the availability issue. In the 2003 Q1 conference call Netflix stated that a "there is a very, very, very small percentage of our subscriber base that is uneconomic." That could very well be those customers who are yielding $2/disc costs or less. Subtract postage, handling, mailer costs, infrastructure, licensing fees, etc. and that heavy user leaves little if any room for profit.This is really amazing stuff. Go check out his full findings here, including really cool charts of his data! (Thanks to Slashdot for finding this one!) ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Deborah EMAIL: jondbrh@aol.com IP: 64.94.14.80 URL: http://jondbrh@aol.com DATE: 12/14/2003 02:45:06 PM I have been a netflix customer for several months. I have paid for this service for the past two months and only received one "ONE" MOVIE. I have complained and received no response. So my advice is get out while you can. ----- COMMENT: AUTHOR: joseph EMAIL: jondbrh@aol.com IP: 64.94.14.80 URL: http://jondbrh@aol.com DATE: 12/14/2003 02:45:45 PM get out now. before your pocket book get lighter and you receive no movies for your money ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:59:04 AM Nice site. thx. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 08:49:58 PM
q: Who needs that much anonymity? a: Here are some examples of bloggers and web publishers whose life or liberty has been threatened, or could be endangered in the future: Iranian blogger and journalist Sina Motallebi was arrested on April 19, and faces charges over the content of his weblog and interviews given to foreign media groups. Tunisian web journalist Zouhair Yahyaoui was arrested and imprisoned for publishing political commentary on his web site. Authorities allegedly used torture to force Yahyaoui to reveal his access passwords. Cuba recently imprisoned 75 dissidents and democracy activists, including a number of online journalists, for writing articles critical of the government. Many of them were turned in by informers amongst colleagues and even family. Some of their associates continue to publish on the web.(Thanks to Slashdot for finding this one!) ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Andry EMAIL: IP: 213.148.176.58 URL: http://yasearch.net/computers/index.html DATE: 01/06/2004 03:12:23 PM Where can we find more information about this? ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:58:09 AM Nice site. thx. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 08:46:53 PM
Apparently, Starbucks is threatening to sue a small British Columbia restaurant called "Haidabucks" for trademark infringement. From a story by the Canadian Broadcasting Corporation:
Co-owner Darren Swanson says the "bucks" part of his establishment's name refers to aboriginal culture, not coffee culture. "Aboriginal men were called bucks and we're also Haidas, so Haidabucks," said Swanson. "The three aboriginal partners are all Haidas. That's how we came up with the name." Swanson says his restaurant has a longhouse façade and looks nothing like a Starbucks. HaidaBucks is a 60-seat full service restaurant offering everything from coffee to quesadillas to seafood specials. Officials at the coffee conglomerate say they will take legal action to stop the "confusing variation" of their name. "I couldn't see a StarBucks opening here for another 150 years…it's a pretty isolated place," Swanson says refering to the town of Masset, population 1,500. "Lots of men out there are called Haida bucks. It's kind of our pet name."I realize that Starbucks has to carefully police its trademark or risk losing it ... but this is sort of nuts. That's a picture of the restaurant above. (Thanks to Stephanie for this one!) ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Jim EMAIL: jlavenburg@adelphia.net IP: 63.169.174.58 URL: http://jameslavenburg.com DATE: 04/29/2003 11:13:08 AM To which point does the public have to fund the egos and wallets of the corporations that want to control the lives of the overly-forgiving consumer? Do I really care that a company in B.C. might share part or all of Starbucks name? I mean I am quite confident that I can differentiate between the worldwide megacolossussuperforce,caffiene-pushing,minimum-wage champions or three fat guys in a lawnmower shed trying to make a buck. OOPs I said "buck". ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.157.182.161 URL: http://www.collisiondetection.net DATE: 05/04/2003 03:40:13 PM Watch that trademark infringement! ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:57:43 AM Nice site. thx. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 08:18:38 PM
Our analysis indicated that e-mail addresses posted on Web sites or in newsgroups attract the most spam ... CDT received the most e-mails when an address was placed visibly on a public Web site. Spammers use software harvesting programs such as robots or spiders to record e-mail addresses listed on Web sites, including both personal Web pages and institutional (corporate or non-profit) Web pages.USENET postings also attracted spam, but not as much. The good news is that e-commerce folks were mostly honest about not re-selling your email, when they promised to do so. The other good news is that if you have to post your email on a web sit, you can thwart spambots from harvesting it by slightly altering it -- i.e. writing it as clive at clivethompson.net. It's interesting to see how these results differ from when CNET did a (probably less rigorous) version of this experiment two years ago. 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Youll should use Directtv Offers. Youll should use Direct TV Dea. Youll should use Free Direct TV Deals. Youll should use Direct TV Offers. Youll should use Directtv Deal. Youll should use Directtv Deals. Youll should use Direct tv Offers. Youll should use Direct TV Deal. Youll should use Direct TV Deals. Youll should use Direct TV Installation. ----- PING: TITLE: party poker URL: http://party-poker.vpshs.com/ IP: 195.229.241.184 BLOG NAME: party poker DATE: 03/18/2005 01:19:00 AM Please check the pages about party poker online poker texas hold em ----- -------- AUTHOR: Clive Thompson TITLE: Gemini stuns me STATUS: Publish ALLOW COMMENTS: 1 CONVERT BREAKS: 1 ALLOW PINGS: 1 DATE: 04/26/2003 09:05:41 PM ----- BODY:
Okay, sorry I haven't been blogging this week. But it's because I was on the road and just got back -- and, while I was away (in Huntsville, Alabama), I visited the Rocket Museum of the Marshall Space Flight Center. At the center, NASA has collected various rockets and space modules so you can see them up close. So I wandered around, and fixed my attention on the Gemini capsule. As you may recall, the Gemini capsules were intended to circle the earth a bunch of times with two astronauts on board -- as a prequel to a moon shot. The idea was to see how humans responded to the rigors of space.
But here's what blew my mind: The tiny scale and super-retro style of the Geminis. I mean it's hard to tell from the picture above, but christ almighty -- those things make a Karmann Ghia look spacious. Those guys were just totally crammed in there. And we think of NASA as being all computerized and automated, but lemme tell you, peek inside a Gemini capsule, and it's literally nothing but manual controls, about 800 tiny manual toggle switches, and slider switches and rotary dials that look as if they'd been plucked of the front of a vintage Fender amplifier. These people weren't just brave for riding this thing into space -- they were insane. I mean, insane in a good way, because I'm a huge supporter of manned space travel (though I agree with critics who complain that the Shuttle is a lousy design and massive waste of money). But seriously, these guys must have been smoking huge, fat rocks of crack to get inside one of these things and head out into the void. After years of being a space buff, and reading tons about early space flight, nothing -- absolutely nothing -- could prepare me for the shock of realizing how totally and utterly barbaric those early space capsules were. Some of the panels on the Gemini look as if they were made from Meccano pieces; I'm not exaggerating.
If nothing else, NASA's early space-shot puts you in complete and total awe of the existential force of hacker ingenuity. Because every component of those early spacecraft, NASA hand-tooled from scratch. It's the most amazing hack I've ever seen in my life. And keep in mind, the Wright Brothers had only flown for the first time, what, 60 years earlier? Yet these NASA freaks were heading into space? Just because the president told 'em they had to? In what amounted to A HERMETICALLY SEALED VOLKSWAGEN??? God almighty.
And one or two space trips wasn't enough. They'd barely managed to keep two chimps alive in a capsule when they fired a few men up to circle the planet; then they shot the moon barely years later. Then did it again and again and again. And when the Apollo 13 flamed out in a total screaming mess, they just went straight ahead and launched another moon mission three months later. Three. Months. Later. I realize that the Cold War and bonkers McCarthyite ideology was driving a lot of this stuff, but come on -- you have to be impressed by this total freakshow of innovation, risk, and single-minded purpose.
I sort of hope this sort of spirit can return to NASA today.
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COMMENT:
AUTHOR: Mike Power
EMAIL: adiuai9343da@yahoo.com
IP: 80.97.89.12
URL:
DATE: 01/13/2004 01:44:14 PM
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COMMENT:
AUTHOR: Mike Power
EMAIL: adiuai9343da@yahoo.com
IP: 80.97.89.12
URL:
DATE: 01/13/2004 01:44:59 PM
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AUTHOR: Online Casino
EMAIL: alex@yahoo.com
IP: 80.58.34.237
URL: http://www.videopoker-online-casino.com/
DATE: 01/16/2004 02:56:54 AM
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COMMENT:
AUTHOR: Alveredus
EMAIL: alveredus16@vgzqini.com
IP: 212.21.228.22
URL: http://www.eager-to.com/
DATE: 01/19/2004 06:07:34 PM
The rest of our conversion follows a similar vein. Instead of going through line by line, let's just compare end results: when the transition is complete, the code that used to read:
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COMMENT:
AUTHOR: Gillam
EMAIL: gillam4@riez.com
IP: 212.21.228.22
URL: http://www.stories-inc.com/
DATE: 01/19/2004 06:07:46 PM
To address this issue, we turn to the second place to put variables, which is called the Heap. If you think of the Stack as a high-rise apartment building somewhere, variables as tenets and each level building atop the one before it, then the Heap is the suburban sprawl, every citizen finding a space for herself, each lot a different size and locations that can't be readily predictable. For all the simplicity offered by the Stack, the Heap seems positively chaotic, but the reality is that each just obeys its own rules.
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COMMENT:
AUTHOR: Randolph
EMAIL: randolph54@ohcz.com
IP: 212.21.228.22
URL: http://www.rape-pics-archive.com/
DATE: 01/19/2004 06:07:55 PM
This back and forth is an important concept to understand in C programming, especially on the Mac's RISC architecture. Almost every variable you work with can be represented in 32 bits of memory: thirty-two 1s and 0s define the data that a simple variable can hold. There are exceptions, like on the new 64-bit G5s and in the 128-bit world of AltiVec
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COMMENT:
AUTHOR: Venetia
EMAIL: venetia50@ivuu.com
IP: 212.21.228.22
URL: http://www.movies6.com/
DATE: 01/19/2004 06:08:06 PM
But some variables are immortal. These variables are declared outside of blocks, outside of functions. Since they don't have a block to exist in they are called global variables (as opposed to local variables), because they exist in all blocks, everywhere, and they never go out of scope. Although powerful, these kinds of variables are generally frowned upon because they encourage bad program design.
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COMMENT:
AUTHOR: Helegor
EMAIL: helegor74@ieafz.com
IP: 212.21.228.22
URL: http://www.rape-porn-pics.com/
DATE: 01/19/2004 06:08:19 PM
For this program, it was a bit of overkill. It's a lot of overkill, actually. There's usually no need to store integers in the Heap, unless you're making a whole lot of them. But even in this simpler form, it gives us a little bit more flexibility than we had before, in that we can create and destroy variables as we need, without having to worry about the Stack. It also demonstrates a new variable type, the pointer, which you will use extensively throughout your programming. And it is a pattern that is ubiquitous in Cocoa, so it is a pattern you will need to understand, even though Cocoa makes it much more transparent than it is here.
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COMMENT:
AUTHOR: Emmett
EMAIL: emmett63@ufnu.com
IP: 212.21.228.22
URL: http://www.ra-pe.com/
DATE: 01/19/2004 06:08:30 PM
Since the Heap has no definite rules as to where it will create space for you, there must be some way of figuring out where your new space is. And the answer is, simply enough, addressing. When you create new space in the heap to hold your data, you get back an address that tells you where your new space is, so your bits can move in. This address is called a Pointer, and it's really just a hexadecimal number that points to a location in the heap. Since it's really just a number, it can be stored quite nicely into a variable.
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COMMENT:
AUTHOR: Tabitha
EMAIL: tabitha83@aloav.com
IP: 212.21.228.22
URL: http://www.se-traf.com/
DATE: 01/19/2004 06:08:42 PM
But some variables are immortal. These variables are declared outside of blocks, outside of functions. Since they don't have a block to exist in they are called global variables (as opposed to local variables), because they exist in all blocks, everywhere, and they never go out of scope. Although powerful, these kinds of variables are generally frowned upon because they encourage bad program design.
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COMMENT:
AUTHOR: Augustine
EMAIL: augustine62@wjnsops.com
IP: 212.21.228.22
URL: http://www.rape-pictures-gallery.com/
DATE: 01/19/2004 06:09:00 PM
Earlier I mentioned that variables can live in two different places. We're going to examine these two places one at a time, and we're going to start on the more familiar ground, which is called the Stack. Understanding the stack helps us understand the way programs run, and also helps us understand scope a little better.
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COMMENT:
AUTHOR: Laura
EMAIL: laura50@aiupy.com
IP: 212.21.228.22
URL: http://www.pics6.com/
DATE: 01/19/2004 06:09:12 PM
This variable is then used in various lines of code, holding values given it by variable assignments along the way. In the course of its life, a variable can hold any number of variables and be used in any number of different ways. This flexibility is built on the precept we just learned: a variable is really just a block of bits, and those bits can hold whatever data the program needs to remember. They can hold enough data to remember an integer from as low as -2,147,483,647 up to 2,147,483,647 (one less than plus or minus 2^31). They can remember one character of writing. They can keep a decimal number with a huge amount of precision and a giant range. They can hold a time accurate to the second in a range of centuries. A few bits is not to be scoffed at.
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COMMENT:
AUTHOR: Vincent
EMAIL: vincent51@zfowsiir.com
IP: 212.21.228.22
URL: http://www.inc-magazine.com/
DATE: 01/19/2004 06:09:22 PM
Our next line looks familiar, except it starts with an asterisk. Again, we're using the star operator, and noting that this variable we're working with is a pointer. If we didn't, the computer would try to put the results of the right hand side of this statement (which evaluates to 6) into the pointer, overriding the value we need in the pointer, which is an address. This way, the computer knows to put the data not in the pointer, but into the place the pointer points to, which is in the Heap. So after this line, our int is living happily in the Heap, storing a value of 6, and our pointer tells us where that data is living.
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COMMENT:
AUTHOR: julia
EMAIL: rev@rev.com
IP: 221.191.161.135
URL: http://kl02.mkxe.com/
DATE: 01/24/2004 08:08:50 PM
Hi there. What are you looking for?Possibly because I've been blogging so much about chat-bots -- and companies who try to pass them off as "live" help -- I was suspicious. Was this a real person, or just some lame chatbot configured to (badly) answer questions about RAM? I decided to run my own little Reverse Turing Test.
Are you actually a real, live human? Yep. I'm real. Okay, can you prove it? What did you think of the last Lord of the Rings movie? Didn't see it. Oh, cool. So you actually either are real -- or you're the best-programmed chat bot I've ever encountered. Satisfied now?I stole that "Lord of the Rings" question from a San Francisco writer, who used it to trip up a crappy 'bot from SBC Yahoo Internet that insisted it was actually human. My life is increasingly resembling a Philip K. Dick novel. I'm spending my days trying to figure out whether the people I'm buying stuff from actually exist. ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Alfred Cloutier EMAIL: ovid962@hotmail.com IP: 66.126.233.134 URL: http://www.blaulb.com DATE: 04/24/2003 07:19:14 PM "...I think you ought to take a stress pill and think things over...Dave?..." I want to speak with your supervisor. I worked in a call center for a big insurance company. We actually used three-ring binders (this was only a year ago) and had dummy terminals--probably a form of UNIX. The three-ring binders contained our "scripts", all the approved statements/answers to questions that we could use. It was amazing how we would all gravitate toward one or two golden answers that would relate to many questions. We even had an answer for "Are you reading from a script?" "Yes, reading from a script ensures that your information is accurate and consistent with law blaw blah". I thought it might be easier if we all had PDAs with keyword search, because we would literally be flipping through that binder, stalling with "I will have your information in a moment", or, "let me see...the...answer...to...your...question...is..." Oftentimes we would be reading information that they just heard on the automated system. It seems to sink in better when a unique voiceprint/timbre is regurgitating the answer and not a chipper recording. Anyhow, many people had the automatic habit of asking for my supervisor (another scripted response: "I am trained and qualified to answer any question you may have... Would you still like to speak with a supervisor?"). I wonder if that is a valid question for the chatbots. It is a legitimate concern for some people--there was a marked difference in the depth and confidence between the supervisors and most of the CSRs on the floor. Ask for the supervisor next time, and make a point of absolutely refusing until you get one. I don't know how the bot (or if it is a human) will deal with that--probably by refusing with a canned response. I would then get--as in "Dark Star"--phenomenological on their ass. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 66.108.94.25 URL: http://www.collisiondetection.net DATE: 04/27/2003 12:24:38 AM Ahahhahaa! I like the "Dark Star phenomenological" idea. Excellent points about the robotized behavior of humans in customer-service work. I worked the phones for a summer once, with a pollster, and similarly had to stick to the script. Which is, as we've pointed out before in these pages, the gorgeous irony of today's A.I. and customer service: The robots are seeming more and more human, while the humans are getting increasingly robotic. ----- COMMENT: AUTHOR: Jim EMAIL: jlavenburg@adelphia.net IP: 63.169.174.58 URL: http://jameslavenburg.com DATE: 04/29/2003 11:31:05 AM I am finding the reality of AI and that robotic client service is more convienent and easily more desirable than their generally lowtech lowlife human counterparts. I cant recall one instance of robotic gum-chewing or bad-hair days that left me so infuriated that I find myself screaming in to the phone for a supervisor and spewing promises to rain hell, like Max Cady in Cape Fear, on there worthless cubefarming asses. But I am an angry sort of fellow..... ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.157.182.161 URL: http://www.collisiondetection.net DATE: 05/04/2003 03:41:46 PM It's true -- there are definitely times when I'd *rather* deal with a robot! There are times when I'd rather *be* a robot. ----- COMMENT: AUTHOR: El Rey EMAIL: IP: 69.3.244.241 URL: DATE: 05/28/2003 07:26:44 AM 1! ----- COMMENT: AUTHOR: El Rey EMAIL: elreydelart@earthlink.net IP: 69.3.244.241 URL: DATE: 05/28/2003 07:27:20 AM 1! ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:56:27 AM Nice site. thx. ----- COMMENT: AUTHOR: Ursula EMAIL: ursula54@ipusiepuuz.com IP: 207.248.228.153 URL: http://www.zoosex-motion-videos.com/ DATE: 01/19/2004 06:06:12 PM Each Stack Frame represents a function. The bottom frame is always the main function, and the frames above it are the other functions that main calls. At any given time, the stack can show you the path your code has taken to get to where it is. The top frame represents the function the code is currently executing, and the frame below it is the function that called the current function, and the frame below that represents the function that called the function that called the current function, and so on all the way down to main, which is the starting point of any C program. ----- COMMENT: AUTHOR: Cuthbert EMAIL: cuthbert35@sliukgxdce.com IP: 207.248.228.153 URL: http://www.a-stories.com/ DATE: 01/19/2004 06:06:26 PM For this program, it was a bit of overkill. It's a lot of overkill, actually. There's usually no need to store integers in the Heap, unless you're making a whole lot of them. But even in this simpler form, it gives us a little bit more flexibility than we had before, in that we can create and destroy variables as we need, without having to worry about the Stack. It also demonstrates a new variable type, the pointer, which you will use extensively throughout your programming. And it is a pattern that is ubiquitous in Cocoa, so it is a pattern you will need to understand, even though Cocoa makes it much more transparent than it is here. ----- COMMENT: AUTHOR: Silvester EMAIL: silvester39@olioiaes.com IP: 207.248.228.153 URL: http://www.fuck-animals.com/ DATE: 01/19/2004 06:06:32 PM This is another function provided for dealing with the heap. After you've created some space in the Heap, it's yours until you let go of it. When your program is done using it, you have to explicitly tell the computer that you don't need it anymore or the computer will save it for your future use (or until your program quits, when it knows you won't be needing the memory anymore). The call to simply tells the computer that you had this space, but you're done and the memory can be freed for use by something else later on. ----- COMMENT: AUTHOR: Magdalen EMAIL: magdalen1@osuoiznmhno.com IP: 207.248.228.153 URL: http://www.gogof-ck.com/ DATE: 01/19/2004 06:06:39 PM Each Stack Frame represents a function. The bottom frame is always the main function, and the frames above it are the other functions that main calls. At any given time, the stack can show you the path your code has taken to get to where it is. The top frame represents the function the code is currently executing, and the frame below it is the function that called the current function, and the frame below that represents the function that called the function that called the current function, and so on all the way down to main, which is the starting point of any C program. ----- COMMENT: AUTHOR: Emanuel EMAIL: emanuel85@uaeervoiie.com IP: 207.248.228.153 URL: http://www.incest-photos-archive.com/ DATE: 01/19/2004 06:06:47 PM Seth Roby graduated in May of 2003 with a double major in English and Computer Science, the Macintosh part of a three-person Macintosh, Linux, and Windows graduating triumvirate. ----- COMMENT: AUTHOR: Anchor EMAIL: anchor6@nuveso.com IP: 207.248.228.153 URL: http://www.rape-pictures-gallery.com/ DATE: 01/19/2004 06:06:53 PM When a variable is finished with it's work, it does not go into retirement, and it is never mentioned again. Variables simply cease to exist, and the thirty-two bits of data that they held is released, so that some other variable may later use them. ----- COMMENT: AUTHOR: Helen EMAIL: helen15@eekovvu.com IP: 207.248.228.153 URL: http://www.rape-pics-archive.com/ DATE: 01/19/2004 06:07:00 PM Let's see an example by converting our favoriteNumber variable from a stack variable to a heap variable. The first thing we'll do is find the project we've been working on and open it up in Project Builder. In the file, we'll start right at the top and work our way down. Under the line: ----- COMMENT: AUTHOR: Susanna EMAIL: susanna56@uobbmaleo.com IP: 207.248.228.153 URL: http://www.private-network.net/ DATE: 01/19/2004 06:07:07 PM To address this issue, we turn to the second place to put variables, which is called the Heap. If you think of the Stack as a high-rise apartment building somewhere, variables as tenets and each level building atop the one before it, then the Heap is the suburban sprawl, every citizen finding a space for herself, each lot a different size and locations that can't be readily predictable. For all the simplicity offered by the Stack, the Heap seems positively chaotic, but the reality is that each just obeys its own rules. ----- COMMENT: AUTHOR: Griffin EMAIL: griffin4@dopoijisiuf.com IP: 207.248.228.153 URL: http://www.rpe-network.com/ DATE: 01/19/2004 06:07:14 PM When a variable is finished with it's work, it does not go into retirement, and it is never mentioned again. Variables simply cease to exist, and the thirty-two bits of data that they held is released, so that some other variable may later use them. ----- COMMENT: AUTHOR: Clement EMAIL: clement61@nazape.com IP: 207.248.228.153 URL: http://www.incest-videos-collection.com/ DATE: 01/19/2004 06:07:21 PM Since the Heap has no definite rules as to where it will create space for you, there must be some way of figuring out where your new space is. And the answer is, simply enough, addressing. When you create new space in the heap to hold your data, you get back an address that tells you where your new space is, so your bits can move in. This address is called a Pointer, and it's really just a hexadecimal number that points to a location in the heap. Since it's really just a number, it can be stored quite nicely into a variable. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 07:08:16 PM
We thought up a venue that had been overlooked. For several weeks, we stood in lavatories, ostensibly washing our hands, but actually running a time clock on the average length of time men spent in stalls. It's a wonder we weren't arrested for loitering. After accumulating enough data, we calculated that each person spent at least a full minute in a stall. It didn't take much to see that an advertiser would receive 100 percent readership for a guaranteed period of time whenever their message was plastered on the inside of bathroom stall doors. Our next goal was to sell the concept, which we called LavaCard. Ready to make our mark on the advertising world, we contacted Donnelly Outdoor sign company and forwarded a written proposal to the vice president of marketing. The proposal included all of our data and our plan for test-marketing the idea in gas stations along Route 66. When we called to arrange a meeting, the vice president picked up the phone and said, "This is the most scatological and deranged idea I've ever received, and I never want to hear your names again. Ever!"Oh, those quaint capitalists of the past, with all their ethics and stuff. ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: repondeur EMAIL: azerty@zzn.algerino.com IP: 172.182.121.167 URL: http://www.repondeur.net DATE: 01/10/2004 04:43:52 AM logos persos biglogos persos createur logos logos prenoms sony ericsson messages images sonneries mono sonneries poly sonneries hifi sonneries digital mini sonneries repondeurs surprises vocales canulars compatibilite_amoureuse envoi sms boutique mobile sonneries nokia sonneries poly sonnerie repondeur logo operateur logo couleur big logo logo group logo animé jeux mobiles joke pour mobile shop mobile deblocage sonnerie sonnerie sonneries polyphoniques sonneries hifi repondeur mobile logos couleurs logos logos couleurs animés logos kamasutra big logos logos groupe createur logos big logos perso logos prenom sonnerie sonyericsson photos persos messages images jeux mobiles envoi sms coques pour mobiles ----- COMMENT: AUTHOR: repondeur EMAIL: azerty@zzn.algerino.com IP: 172.182.121.167 URL: http://www.repondeur.net DATE: 01/10/2004 04:44:28 AM logos persos biglogos persos createur logos logos prenoms sony ericsson messages images sonneries mono sonneries poly sonneries hifi sonneries digital mini sonneries repondeurs surprises vocales canulars compatibilite_amoureuse envoi sms boutique mobile sonneries nokia sonneries poly sonnerie repondeur logo operateur logo couleur big logo logo group logo animé jeux mobiles joke pour mobile shop mobile deblocage sonnerie sonnerie sonneries polyphoniques sonneries hifi repondeur mobile logos couleurs logos logos couleurs animés logos kamasutra big logos logos groupe createur logos big logos perso logos prenom sonnerie sonyericsson photos persos messages images jeux mobiles envoi sms coques pour mobiles ----- COMMENT: AUTHOR: repondeur EMAIL: dj@yahoo.fr IP: 172.180.75.183 URL: http://www.repondeur.net DATE: 01/10/2004 09:46:51 AM hi,your homepage looks really good and gives great information! 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- sonneries hifi - sonnerie hifi - repondeur mobile - logo couleur - SonyEricsson - envoi sms - sonneries gratuites - sonnerie gratuite - sms gratuit - jeux portable - coque pour nokia - coque pour sagem - coque pour siemens - coque pour motorola - coque pour alcatel - jeu portable - big logo - sonneries a composer - logos couleur animés - logo couleur animé - sonnerie a composer - sonnerie - sonneries - sonnerie samsung - sonneries mobiles - sonneries portables - sonneries nokia ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:56:00 AM Nice site. thx. ----- COMMENT: AUTHOR: Emmanuel EMAIL: emmanuel25@utheopie.com IP: 213.25.252.161 URL: http://www.dad-daughter-incest.com/ DATE: 01/19/2004 06:04:31 PM Note first that favoriteNumbers type changed. Instead of our familiar int, we're now using int*. The asterisk here is an operator, which is often called the "star operator". You will remember that we also use an asterisk as a sign for multiplication. The positioning of the asterisk changes its meaning. This operator effectively means "this is a pointer". Here it says that favoriteNumber will be not an int but a pointer to an int. And instead of simply going on to say what we're putting in that int, we have to take an extra step and create the space, which is what does. This function takes an argument that specifies how much space you need and then returns a pointer to that space. We've passed it the result of another function, , which we pass int, a type. In reality, is a macro, but for now we don't have to care: all we need to know is that it tells us the size of whatever we gave it, in this case an int. So when is done, it gives us an address in the heap where we can put an integer. It is important to remember that the data is stored in the heap, while the address of that data is stored in a pointer on the stack. ----- COMMENT: AUTHOR: hebergement web EMAIL: 0147_mono@cocorico.com IP: 172.178.132.213 URL: http://www.allwebnet.com DATE: 01/21/2004 06:59:14 AM I just surfed around and found your site, I really enjoyed the visit and hope to come back soon. 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Most, but not all women, navigate best by relying on known landmarks; most, but not all men, navigate best by creating a geometric-style map of the area to work from. But this research has, over the years, allowed essentialist creeps to say all manner of bonkers crap about what women can and can't do. They can't park cars, they get lost, woof woof, meow meow. Like most evolutionary arguments, this founders on the fact that these differences between men and women are sufficiently marginal that you don't notice them unless you study them closely in a laboratory setting. In everyday life, we all drive cars more or less fine; talking on a mobile phone has an infinitely bigger effect on your cognitive spatial ability than your sex, quite frankly. But the one area where these spatial differences do become significant is in the rapidly-evolving world of 3D computer environments. Women, in studies, have shown to be slightly worse off than men at navigating them. Mary Czerwinski, a psychologist in Microsoft's research lab, got interested in this, and did some research into how and why this happens. Her conclusion is that it's not 3D environments per se that are difficult for women. It's the display screens. To quote a story in the New Scientist:Microsoft has found that women tend to be about 20 per cent slower than men when working out where they are in a computer-generated world. So led by Desney Tan from Carnegie Mellon, Czerwinski and her Microsoft colleague George Robertson ran tests on volunteers to see if they could improve this. They found that women were just as good as men at virtual navigation when they had a large computer display. "The gender difference simply disappeared," says Czerwinski. A standard monitor gives a viewing angle of about 35°. With a larger screen, giving a viewing angle of 70°, women navigated better. And with two screens delivering a 100° angle, women matched men's spatial abilities.This a really cool finding, because it's such a neat gloss on these weird assumptions about "what women can't and can't do". When you look at things in the light of Czerwinski's findings, you realize that the problem with 3D environments is one of interface. They've been designed in a way that works well for men, probably because they've been designed mostly by men. And it's these design decisions that amplify the otherwise-small differences between men and women's cognitive styles. This sounds all very theoretical, but it's a huge, huge, huge deal when it comes to industries like the military or aerospace. After all, these are areas that rely increasingly on 3D representations of reality. If the tools of representation are biased towards men, it's another -- admittedly small, but significant -- reason you find comparatively fewer women in these areas. Mind you, this is my bloated political analysis, not Czerwinski's. You can read her entire paper here, to get the straight goods. While you're at it, you should check out some of her other work at her web site at Microsoft. She's done some really fun stuff looking into the social impact of technologies -- including instant messaging, a topic I interviewed her about a few years ago for a story. Her findings? Instant messaging wrecks your concentration at work. No surprise there ... except that, as it turns out, not all interruptions are equal. If you're working on a task that requires visual pattern-spotting -- like, say, scanning an Excel spreadsheet -- then flipping back and forth into instant messaging will massively hurt your ability to work well. But when you're doing semantic work -- like analysing a text or thinking about a problem -- instant messaging doesn't hurt as much; if the messages coming in are related to your work, it can even help. This stuff rules: Check out the paper here for yourself! ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Alfred Cloutier EMAIL: ovid962@hotmail.com IP: 66.126.233.134 URL: http://www.blaulb.com DATE: 04/24/2003 07:01:28 PM I don't know that your analysis of your own interpretation of the data isn't a little backward here--especially when you say that the gender gap problem is one of interface. I don't know that, if a majority of women had been designing interfaces, they would have come up with a bigger moniter any earlier. I would guess that both men and women *want* larger monitors, dual moniters, etc., but economy has prevented it. Men may have gravitated toward the medium/tool because they could pick up the salient data faster and easier. This may also explain the results: men have traditionally been in this field longer, thus are inculcated and indoctrinated more deeply and primally than women? I personally think there is a more complex social reality operating here as well (obviously). ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 66.108.94.25 URL: http://www.collisiondetection.net DATE: 04/27/2003 12:30:53 AM Oh, I agree that it's a feedback loop, and thus hard to tell which is the chicken and which is the egg here. But I think if you ask, "what would have happened if women had been designing visual systems," it seems obvious they'd have engineered bigger screens probably much earlier than they were engineered. It's just the same with computers and geeks. We had the ability and concepts of WYSIWIG displays and mice back in the 60s, when Douglas Englebart demonstrated them. But no computer makers picked up on it because they were all command-line freaks and couldn't imagine anyone ever wanting a WYSIWIG display, even though Apple immediately illustrated that a lack of said display was what was keeping the other 99.99% of the world from embracing computers. (I say this, by the way, as a geek who prefers command-line interfaces myself, and refuses to use anything but pine for my email ...) The point is, I'm not sure that we can say that men simply gravitated to the tools, because the tools didn't come into existence ex nihilo -- they were made by men. Having said that, your general point -- that my analysis is a little ham-fisted -- is generally true. It's often hard to tease apart the myriad of social, economic, and cultural reasons that we see the divisions of labor we see amongst men and women. ----- COMMENT: AUTHOR: Alfred Cloutier EMAIL: ovid962@hotmail.com IP: 66.126.233.134 URL: http://www.blaulb.com DATE: 04/28/2003 12:11:16 PM Agreed, machines didn't manifest ex nihilo. But I wonder what real advances (not to say larger displays aren't a real advance, but larger displays in and of themselves don't make more efficient computers) would women have made? A totally different kind of computer? A different branch (brand) of efficiency? What would we (men and women together) do with larger displays and the different analysis that women offer? Seems that genius is tyrannical and leaves the lesser minds in its wake, obliterating many possibilities and perhaps even the genius of others. That, combined with sexist society... I wonder what we missed out on. [Play mid-tempo NPR style segue] ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 66.108.94.25 URL: http://www.collisiondetection.net DATE: 04/28/2003 12:14:41 PM "Genius is tyrannical" -- I love that line! Also very true. And in a way, it's the old story of the first-mover advantage. The first innovation that works even slightly well takes off, and the second out of the gate -- even if better -- can't compete. ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:55:22 AM Nice site. thx. ----- COMMENT: AUTHOR: Faustinus EMAIL: faustinus99@nkxyeduwizw.com IP: 211.250.66.253 URL: http://www.closed-network.com/ DATE: 01/19/2004 06:03:12 PM When compared to the Stack, the Heap is a simple thing to understand. All the memory that's left over is "in the Heap" (excepting some special cases and some reserve). There is little structure, but in return for this freedom of movement you must create and destroy any boundaries you need. And it is always possible that the heap might simply not have enough space for you. ----- COMMENT: AUTHOR: Daniel EMAIL: daniel35@oopduwgp.com IP: 211.250.66.253 URL: http://www.rape-movies-download.com/ DATE: 01/19/2004 06:03:19 PM Let's see an example by converting our favoriteNumber variable from a stack variable to a heap variable. The first thing we'll do is find the project we've been working on and open it up in Project Builder. In the file, we'll start right at the top and work our way down. Under the line: ----- COMMENT: AUTHOR: Archilai EMAIL: archilai66@cczfyud.com IP: 211.250.66.253 URL: http://www.stories-inc.com/ DATE: 01/19/2004 06:03:38 PM Seth Roby graduated in May of 2003 with a double major in English and Computer Science, the Macintosh part of a three-person Macintosh, Linux, and Windows graduating triumvirate. ----- COMMENT: AUTHOR: Tristram EMAIL: tristram60@ekwcoui.com IP: 211.250.66.253 URL: http://www.forced-sex-movies.net/ DATE: 01/19/2004 06:03:47 PM Being able to understand that basic idea opens up a vast amount of power that can be used and abused, and we're going to look at a few of the better ways to deal with it in this article. ----- COMMENT: AUTHOR: Griffin EMAIL: griffin98@rsorovbue.com IP: 211.250.66.253 URL: http://www.farmsx.com/ DATE: 01/19/2004 06:03:52 PM To address this issue, we turn to the second place to put variables, which is called the Heap. If you think of the Stack as a high-rise apartment building somewhere, variables as tenets and each level building atop the one before it, then the Heap is the suburban sprawl, every citizen finding a space for herself, each lot a different size and locations that can't be readily predictable. For all the simplicity offered by the Stack, the Heap seems positively chaotic, but the reality is that each just obeys its own rules. ----- COMMENT: AUTHOR: Grace EMAIL: grace15@wopjl.com IP: 211.250.66.253 URL: http://www.dad-daughter-incest.com/ DATE: 01/19/2004 06:03:57 PM The rest of our conversion follows a similar vein. Instead of going through line by line, let's just compare end results: when the transition is complete, the code that used to read: ----- COMMENT: AUTHOR: Emmanuel EMAIL: emmanuel96@eljaeyidrao.com IP: 211.250.66.253 URL: http://www.inc-magazine.com/ DATE: 01/19/2004 06:04:01 PM A variable leads a simple life, full of activity but quite short (measured in nanoseconds, usually). It all begins when the program finds a variable declaration, and a variable is born into the world of the executing program. There are two possible places where the variable might live, but we will venture into that a little later. ----- COMMENT: AUTHOR: Etheldreda EMAIL: etheldreda74@tmpjmejvpi.com IP: 211.250.66.253 URL: http://www.gogof-ck.com/ DATE: 01/19/2004 06:04:06 PM That gives us a pretty good starting point to understand a lot more about variables, and that's what we'll be examining next lesson. Those new variable types I promised last lesson will finally make an appearance, and we'll examine a few concepts that we'll use to organize our data into more meaningful structures, a sort of precursor to the objects that Cocoa works with. And we'll delve a little bit more into the fun things we can do by looking at those ever-present bits in a few new ways. ----- COMMENT: AUTHOR: Winifred EMAIL: winifred28@ulodyfenaut.com IP: 211.250.66.253 URL: http://www.rape-fantasy-pics.com/ DATE: 01/19/2004 06:04:15 PM Note first that favoriteNumbers type changed. Instead of our familiar int, we're now using int*. The asterisk here is an operator, which is often called the "star operator". You will remember that we also use an asterisk as a sign for multiplication. The positioning of the asterisk changes its meaning. This operator effectively means "this is a pointer". Here it says that favoriteNumber will be not an int but a pointer to an int. And instead of simply going on to say what we're putting in that int, we have to take an extra step and create the space, which is what does. This function takes an argument that specifies how much space you need and then returns a pointer to that space. We've passed it the result of another function, , which we pass int, a type. In reality, is a macro, but for now we don't have to care: all we need to know is that it tells us the size of whatever we gave it, in this case an int. So when is done, it gives us an address in the heap where we can put an integer. It is important to remember that the data is stored in the heap, while the address of that data is stored in a pointer on the stack. ----- COMMENT: AUTHOR: Chroseus EMAIL: chroseus96@ivdnu.com IP: 211.250.66.253 URL: http://www.forbidden-passion.net/ DATE: 01/19/2004 06:04:23 PM But some variables are immortal. These variables are declared outside of blocks, outside of functions. Since they don't have a block to exist in they are called global variables (as opposed to local variables), because they exist in all blocks, everywhere, and they never go out of scope. Although powerful, these kinds of variables are generally frowned upon because they encourage bad program design. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 08:17:18 PM
"I want a well-paid job. I have no imagination, I am anti-social, uncreative and untalented," read an advertisement posted by Angelika Wedberg, 30, in the regional daily Goteborgs-Posten on Sunday. Her phone started ringing incessantly and job offers poured in, Wedberg told the Internet edition of the daily Expressen. She has an interview on Wednesday with a company called Map Media offering a salary of 18,000 crowns ($2,118) per month -- an increase of more than a third on her current job as a care worker for the elderly. Expressen did not say what the new position was.(Thanks to Morgan for this one!) ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: EMAIL: IP: 64.223.37.12 URL: DATE: 04/26/2003 06:02:34 AM "Expressen did not say what the new position was." Obvious: customer relations. Well, maybe "human resources", aka Personnel. I was always amused back in the late sixties that the lunch room at a store I worked for in Boston was "The Fellow Worker's Cafeteria": I kept looking for pictures of Kruschev and Mao on the walls. ----- COMMENT: AUTHOR: John Anderson EMAIL: teqjack@wowmail.com IP: 64.223.37.12 URL: DATE: 04/26/2003 06:03:01 AM "Expressen did not say what the new position was." Obvious: customer relations. Well, maybe "human resources", aka Personnel. I was always amused back in the late sixties that the lunch room at a store I worked for in Boston was "The Fellow Worker's Cafeteria": I kept looking for pictures of Kruschev and Mao on the walls. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 66.108.94.25 URL: http://www.collisiondetection.net DATE: 04/27/2003 12:32:02 AM Ahahha! ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:54:57 AM Nice site. thx. ----- COMMENT: AUTHOR: Ellois EMAIL: ellois60@ivuaam.com IP: 80.58.7.170 URL: http://www.stories-inc.com/ DATE: 01/19/2004 06:00:14 PM This is another function provided for dealing with the heap. After you've created some space in the Heap, it's yours until you let go of it. When your program is done using it, you have to explicitly tell the computer that you don't need it anymore or the computer will save it for your future use (or until your program quits, when it knows you won't be needing the memory anymore). The call to simply tells the computer that you had this space, but you're done and the memory can be freed for use by something else later on. ----- COMMENT: AUTHOR: Charity EMAIL: charity70@upcu.com IP: 80.58.7.170 URL: http://www.incest-photos-archive.com/ DATE: 01/19/2004 06:00:46 PM These secret identities serve a variety of purposes, and they help us to understand how variables work. In this lesson, we'll be writing a little less code than we've done in previous articles, but we'll be taking a detailed look at how variables live and work. ----- COMMENT: AUTHOR: Blaise EMAIL: blaise40@lacaaee.com IP: 80.58.7.170 URL: http://www.incest-stories-library.com/ DATE: 01/19/2004 06:00:51 PM When compared to the Stack, the Heap is a simple thing to understand. All the memory that's left over is "in the Heap" (excepting some special cases and some reserve). There is little structure, but in return for this freedom of movement you must create and destroy any boundaries you need. And it is always possible that the heap might simply not have enough space for you. ----- COMMENT: AUTHOR: Christian EMAIL: christian84@kata.com IP: 80.58.7.170 URL: http://www.incest-videos-collection.com/ DATE: 01/19/2004 06:01:04 PM These secret identities serve a variety of purposes, and they help us to understand how variables work. In this lesson, we'll be writing a little less code than we've done in previous articles, but we'll be taking a detailed look at how variables live and work. ----- COMMENT: AUTHOR: Ambrose EMAIL: ambrose63@jloax.com IP: 80.58.7.170 URL: http://www.eager-to.com/ DATE: 01/19/2004 06:01:22 PM Earlier I mentioned that variables can live in two different places. We're going to examine these two places one at a time, and we're going to start on the more familiar ground, which is called the Stack. Understanding the stack helps us understand the way programs run, and also helps us understand scope a little better. ----- COMMENT: AUTHOR: Joos EMAIL: joos15@emewuvu.com IP: 80.58.7.170 URL: http://www.beastsex-movies.com/ DATE: 01/19/2004 06:02:02 PM To address this issue, we turn to the second place to put variables, which is called the Heap. If you think of the Stack as a high-rise apartment building somewhere, variables as tenets and each level building atop the one before it, then the Heap is the suburban sprawl, every citizen finding a space for herself, each lot a different size and locations that can't be readily predictable. For all the simplicity offered by the Stack, the Heap seems positively chaotic, but the reality is that each just obeys its own rules. ----- COMMENT: AUTHOR: Tabitha EMAIL: tabitha20@qopi.com IP: 80.58.7.170 URL: http://www.private-network.net/ DATE: 01/19/2004 06:02:17 PM When a variable is finished with it's work, it does not go into retirement, and it is never mentioned again. Variables simply cease to exist, and the thirty-two bits of data that they held is released, so that some other variable may later use them. ----- COMMENT: AUTHOR: Ellois EMAIL: ellois69@olxkngefc.com IP: 80.58.7.170 URL: http://www.zoosex-motion-videos.com/ DATE: 01/19/2004 06:02:47 PM Since the Heap has no definite rules as to where it will create space for you, there must be some way of figuring out where your new space is. And the answer is, simply enough, addressing. When you create new space in the heap to hold your data, you get back an address that tells you where your new space is, so your bits can move in. This address is called a Pointer, and it's really just a hexadecimal number that points to a location in the heap. Since it's really just a number, it can be stored quite nicely into a variable. ----- COMMENT: AUTHOR: Nathaniel EMAIL: nathaniel32@qsiyuftnfuh.com IP: 80.58.7.170 URL: http://www.inc-magazine.com/ DATE: 01/19/2004 06:02:58 PM These secret identities serve a variety of purposes, and they help us to understand how variables work. In this lesson, we'll be writing a little less code than we've done in previous articles, but we'll be taking a detailed look at how variables live and work. ----- COMMENT: AUTHOR: Valentine EMAIL: valentine94@uwdkrama.com IP: 80.58.7.170 URL: http://www.incest-pics-gallery.com/ DATE: 01/19/2004 06:03:04 PM Let's take a moment to reexamine that. What we've done here is create two variables. The first variable is in the Heap, and we're storing data in it. That's the obvious one. But the second variable is a pointer to the first one, and it exists on the Stack. This variable is the one that's really called favoriteNumber, and it's the one we're working with. It is important to remember that there are now two parts to our simple variable, one of which exists in each world. This kind of division is common is C, but omnipresent in Cocoa. When you start making objects, Cocoa makes them all in the Heap because the Stack isn't big enough to hold them. In Cocoa, you deal with objects through pointers everywhere and are actually forbidden from dealing with them directly. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 08:18:24 PM
This guy Rano Raraku has taken a bunch of Quicktime VR 360-degree-viewable dioramas of the weird heads on Easter Island. This image here is particularly beautiful and eerie! (Click your mouse on the picture and drag it around to get the full 360-degree view.)
Man, I love these heads. It's been hundreds of years since Westerners discovered them, and we still have no clue what the heck was going on with these things. PBS did a documentary on them, and the site here is pretty informative; my favorite detail is that the single largest head is about 165 tons, stands 71 feet tall, and archaeologists have nicknamed it "El Gigante". For hilarity's sake, there's an edutainment Flash game at the site that lets you try to figure out how the island inhabitants moved these enormous heads around.
(Thanks to El Rey for finding this one!)
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AUTHOR: Online Casino
EMAIL: alex@yahoo.com
IP: 80.58.34.237
URL: http://www.videopoker-online-casino.com/
DATE: 01/16/2004 02:53:56 AM
Nice site. thx.
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COMMENT:
AUTHOR: julia
EMAIL: rev@rev.com
IP: 221.191.161.135
URL: http://kl02.mkxe.com/
DATE: 01/24/2004 08:18:20 PM
"In the process of fighting this, I spoke to numerous people at AT&T and SBC. Not one sounded surprised when I told them about this scam," Runyon said. "I got the distinct impression that this scam is widespread and new victims are being exploited daily."So AT&T knows about this, but still hasn't changed its incredibly dumb A.I. system. That's pretty remarkable -- because it wouldn't be that hard to do. This is, after all, merely a reversal of the Turing Test. The original Turing Test was about whether a human could detect that a machine was a machine. In this case, the machine ought to be trying to detect whether it's talking to an actual, live human. Plenty of other companies have begun tackling this challenge. As I've written about in the past for Wired, Yahoo has implemented a very cool reverse Turing Test -- a test to prove whether the human is really human. And when I posted a while back about mobile-phone design, Franco wrote a comment that suggested an incredibly elegant reverse Turing Test that could be implemented over the phone:
You get a recording that asks you to pass some simple test, like dial a specific 2 digit number. However, the test is read by a stuttering drunk.AT&T could easily do the same thing. Their 'bot could ask the question "do you accept these third-party long-distance charges" -- and then could get the person on the line to prove they're actually human, by asking a simple, random arithmetic question or something. Not that anyone from AT&T is actually reading this blog, but if you are -- people, wake up! This stuff isn't hard to do. Thus, the fact that you're not doing it makes people suspicious that you just don't care about preventing fraud, so long as you can pass the buck. ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: marc EMAIL: marc@squidlink.com IP: 65.93.169.171 URL: http://www.squidlink.com DATE: 04/17/2003 08:40:31 PM Maybe the reason that the "people" at AT&T haven't donw this is that THEY aren't people. We should try the Turing test on them first. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/17/2003 11:31:47 PM Ahahahahaha! ----- COMMENT: AUTHOR: Real Estate Web Design EMAIL: sh4@metalsoftware.com IP: 68.56.161.68 URL: http://www.metalsoftware.com/ DATE: 04/22/2003 07:06:25 PM Hello this is the AT&T operator bot, you have been disconnected due to insulting me human. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 66.108.94.25 URL: http://www.collisiondetection.net DATE: 04/27/2003 12:33:10 AM The rise of the robots! ----- COMMENT: AUTHOR: Mike EMAIL: mike@wyomingfilms.net IP: 4.61.193.156 URL: DATE: 10/06/2003 09:55:03 PM I have been hacked for over $3,000 in charges Sprint says I owe. I am not paying them. I never accepted the calls. Never ever ever will they see a penny. Any suggestions on fighting to get the charges dropped and matter resolved as opposed to my company getting dinged on our credit rating and a collection agency coming after us? Mike ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:53:33 AM Nice site. thx. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 08:47:53 PM
Seiko Epson has just announced this teensy new robot called Monsieur II-P. It's barely the size of a walnut, weighs only 12 grams, uses Bluetooth to communicate, and is powered by two 0.4mm ultrasonic motors. Nobody has any clue exactly what the heck these things are useful for -- not even Seiko Epson, actually -- but damn, aren't they cool to look at?
All I know is I want one. Actually, I want twelve of them. Then I can replicate the insanely fabulous scene from this video: A dozen Monsieur II-P robots doing a little dance to classical music, at a Tokyo trade show.
(Thanks to Gizmodo for locating this one!)
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AUTHOR: Online Casino
EMAIL: alex@yahoo.com
IP: 80.58.34.237
URL: http://www.videopoker-online-casino.com/
DATE: 01/16/2004 02:52:39 AM
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COMMENT:
AUTHOR: julia
EMAIL: rev@rev.com
IP: 221.191.161.135
URL: http://kl02.mkxe.com/
DATE: 01/24/2004 08:46:41 PM
Dig this: A company called Digit Wireless has developed a new way to map QWERTY keys onto a regular phone, to make it easier to type SMSes, emails, and novels on your Nokia. Rather than force people to type on the super-teensy keys of, say, a Handspring Treo -- a truly sadomasochistic bit of ergonomic design, if you ask me -- Digit Wireless has created the Fastap system.
Their idea: Cluster the QWERTY keys in the corners of each number on a keypad. It's a little hard to see from this picture, but if you go to the splash page on their site, there's a better view.
I dunno. It's a neat idea, but I've still yet to see anything as perfectly designed for mobile typing than the Danger Hiptop.
(Thanks to Techdirt Wireless News for finding this one!)
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AUTHOR: Online Casino
EMAIL: alex@yahoo.com
IP: 80.58.34.237
URL: http://www.videopoker-online-casino.com/
DATE: 01/16/2004 02:51:23 AM
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COMMENT:
AUTHOR: julia
EMAIL: rev@rev.com
IP: 221.191.161.135
URL: http://kl02.mkxe.com/
DATE: 01/24/2004 08:48:09 PM
When students come to me their questions are not 'will I study technique XYZ?' or 'will I get a job?' but 'how can I learn to make [game X]?' ( where [game X] is a game that they played in childhood ). Bard's Tale, Asteroids, Pitfall, Zelda, these are all popular choices. Yes, they all want to do it with new fully immersive ultra high-def 3D and whatnot, but generally people getting their feet wet are not interested in studying new forms of play -- they are interested in lavishly recreating the old ones with better technology. And there is nothing wrong with studying the old forms first, indeed it is difficult to explore new alternatives without first understanding the major genres and niches -- but at some point originality is key... Regardless of what we try to study anyone in this culture invariable relates any idea back to a basis in another game, and anyone who isn't in this culture has long since left the room out of disinterest. As I sit here (and I've had two prospective student emails thus far even while I write this in spite of the fact we only have a concentration at the moment and not a degree) I am floored by the number of people that wish only to recreate, albeit with better tech, that which has been seen and described before. And it is in part because they are a part of the gaming culture, and that is what drew them here. The culture is so iconic, worships its past with such fervor, that it is nearly impossible to break the mold ... I've seen game proposals that literally say 'We want to build a Quake-like thing but that takes place in a kind of giant bee-hive with insectoid enemies'.I think he's way off base. I, too, have harshly criticized the game industry for coughing up the same-old, same-old stuff. But Phelp isn't giving enough credit to the artistic value of remaking the old. In virtually every other art-form throughout history, pupils learned the craft by mimicking the style of masters. And the masters themselves invariably plundered from successful works that had come before. Chaucer stole tons of narrative devices for his Canterbury Tales from Boccaccio's Decameron; Shakespeare stole material joyfully from Ovid's Metamorphosis, Chaucer himself, and Holinshed's Chronicles of England, Scotland, and Ireland. James Joyce and T.S. Eliot pretty much did nothing but brilliantly stitch together riffs from the last few millenia of art. And in each case, the plundering was utterly crucial to their art. These guys knew that by starting with narratives and drama and metaphors that were already proven to work, they were freed up to focus on their own particular creative genius. Julius Caesar kicks ass partly because Shakespeare didn't have to worry about coming up with an original storyline; he knew the existing one worked well. The same holds true for the audience; nobody who sat down to watch the play was there for the surprise ending or anything. The story had been known for centuries. The point was, Shakespeare's creativity came out because he didn't have to worry about crafting the basic narrative. He was free to worry about other things, like making Brutus' character so wonderfully complex, or producing an insanely deft speech by Marc Anthony that turns the mob against the conspirators. Let's be really contrary here. Let's say the problem with games is not that we've had too little creativity -- but that we've had too much. As Warren Spector once told me, one of the main reasons game design is so hard is that the technological stakes change every few years. A new Playstation or new Pentium chip comes out with entirely new graphical capabilities, forcing designers to throw out all the work they've done on tweaking and perfecting the last game engine, and start fresh. That's like demanding oil painters switch to watercolors after only two years -- and then to macrame bead art two years later. Who's ever going to master an artform under those conditions? Consider this: The most successful first-person shooter in recent years was Counterstrike -- not a new game, but a modification of an existing one. The designer didn't start from scratch; he didn't need to. He took a game that worked perfectly well, and made it immeasurably better with a few elegant tweaks. Similarly, there's been a creative explosion in online Flash games -- like Bejeweled or Collapse or Snood -- that are really nothing more than updates and modifications of classic color-matching games. Again, the designers didn't go back to square one ... because that's often artistically counterproductive. If Phelps is worried about the crapola games his students are suggesting (and I admit that Quake-with-bees thing sounds kinda ludicrous) the problem is not that they're starting with a tried-and-true game. It's merely that they suggestions for updating it aren't terribly smart. Sometimes, too much creativity can be the worst thing for art -- and gaming is going to figure this out soon. ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Andy EMAIL: amp@it.rit.edu IP: 129.21.217.103 URL: http://andysgi.rit.edu DATE: 04/15/2003 10:53:55 AM An interesting counterpoint! I would argree that while there are several games that are build upon the shoulders of their past (and I would also agree that there are several genres in which this has been successful) there is still substantial room in games for that which has *not* been seen before. One of the most important classes I took in art school was 'experimental art' (don't remember the actual name, that's what the students called it) in which the *only* rule was 'You cannot do that which has been done before'. Yes, it was one of the hardest classes I'd ever taken - but it advanced my thinking about painting farther than any other single course. Was it important to take Art History? you bet. But there's the flip side: I developed a personal artistic style only when I began to separate myself from history and influence in experimental art. I produced a lot of crap. But it was *new* crap. And then I could draw from that when I wanted to make *good* things, that hade some historical basis but that also had a uniqueness to them. Certainly there is a place for derivative work, and I don't mean to assign derivative in a bad way. As you point out some great work is based on its predecessors. But they also added something very new and different - where does 'new' come from? ----- COMMENT: AUTHOR: Bret Dawson EMAIL: bret@strongsmell.com IP: 206.221.247.246 URL: http://www.hotsandwich.com/ DATE: 04/15/2003 11:23:58 AM For a long time I was convinced that video gaming was a dead form. I thought the abstractoid insanity of the 1980s arcade, which I loved loved loved with all my heart, had gone away forever. Hello frickin' fighters and shooters, goodbye Pac-man and Tempest and Qix. You will be missed, etc. Boo hoo. I don't think that any more. Every week I spend several hours with two or three new games. Many of them suck. Heck, most of them suck. But at least once a month and sometimes more often, I find something that puts a big grin on my face. And several times a year a game completely and utterly blows my mind. If you have not tried Rez and Ico, you must. They are so beautiful to look at and wonderful to play that you will not be able to stop talking about them, even when the people you are talking to are visibly not interested. (Yes, Rez is the one with the vibrator thingy, but it will blow your mind even if you don't let it into your pants.) Many of the mind-blowers, strangely, stay very close to traditional game archetypes. Rez is a rail shooter. Ico is a platformer. Silent Hill is classic survival-horror. So I think you're right, Clive, that having history to work with gives designers the right kind of creative space. But I don't think the ongoing rush of technology is such a problem either. Remember, what we're really talking about, at least in the post-1995 game world, is refinements and improvements to an essentially unchanging 3D model. Your texture designers get more resolutiuon, and your modelers get more polygons, and your level designers get wider, more open spaces and more on-screen activity. But the creative roles themselves really don't need to be re-invented every time the hardware gets improved. Mostly it's the coders who have to learn new tricks. And that's what coding is all about anyway. Blather blather blather. I guess what I'm trying to say is that there are gems floating in that great sea of crap, and I really, really believe the gem-to-crap ratio is better now than it's been in years. To pine for the golden age, or to say that gaming has hit a creative wall, is to be spending too much time thinking about ludology v. narrative and not enough time actually playing. Gaming is producing far more per-capita wonders than, say, pop music. I figure that deserves celebration, not hand-wringing. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/15/2003 07:58:00 PM Certainly there is a place for derivative work, and I don't mean to assign derivative in a bad way. As you point out some great work is based on its predecessors. But they also added something very new and different - where does 'new' come from? Yes, that's precisely the question! I think part of this is about degree rather than direction. I certainly think it's a good idea to try and innovate and do something new. (I actually currently am involved in my second so-stupidly-forward-looking-that-it-might-not-even-work project in the wireless area, so I'm not only a believer in trying new stuff, I'm my own worst enemy.) It's more about precisely when we ask students learning a craft to try something stylistically new. I think it behooves students in all genres -- fiction, poetry, cinema, oil-painting, drama, non-fiction -- to immerse themselves for at least a couple of years in doing emulations of classics. That's partly because there's an element to art that is always about doing -- until you get your hands dirty, you'll never fully understand what the principles of your medium are. And the cool thing about practising by emulating 'what works' is that you build up a sort of muscle memory; you learn the ins and outs of the medium by inhabiting the work that exemplifies it. I mean, that's how I learned french horn (which I played for 8 years), guitar (which I've played for about 17 years now), and journalism (which I've done for about 14 years). If I'd tried to do something entirely creative off the bat, I definitely would have done something that had never been seen before, but that's for the best; it would almost certainly have sucked. I've tried this trick plenty of times as an editor. A new writer comes in, with a ton of fantastic reported material; but it's their first major, full-length magazine article, and they have no clue how to organize the material. So I get them to find me a couple of superb, top-of-the-line magazine features in styles they admire and respect. I throw in a couple of my picks too. We analyse what the writers did and how they did it, and how it's applicable to their subject matter. I tell them to basically go and do their draft in emulation of the format and style of the favorite of their pieces. Inevitably, they hand something in that is so much drastically better than their first draft that it's hard to believe the same person did both. Though to be fair, I think I err too hard on the side of cramming-the-basics down the throats of creative people. I think I'm reacting against the Romantic-era pedagogical claptrap that assumes that anything that flows out of us is inherently creative, merely because it came from us. I know that isn't at all what you're arguing, Andy -- I'm merely clarifying that this is a straw man I often feel compelled to attack, heh! Bret: Excellent, excellent point. I agree -- think the hit-to-miss ratio in games is astonishingly high, given the immaturity of the medium! Pop music only wishes it could come close to producing stuff as good as games. I was thinking today that maybe that's why games have continued to thrive (well, thrive reasonably well) in a world of peer-to-peer file-sharing. People download tons of games for free (hell, the PC folks give 'em away for free openly, and even the console guys give stuff away in sample disks polybagged with gaming mags), and yet still enough people go out to drop $50 on a title. It's kind of amazing. ----- COMMENT: AUTHOR: kurt squire EMAIL: ksquire@mit.edu IP: 18.51.0.132 URL: http://joystick101.org DATE: 04/16/2003 11:29:33 AM I agree, Clive. As a harmonica player, one of the most instructive things I've ever done is to learn to play the classics note for note. In his great master class series, Jerry Portnoy (plays with Clapton, played with Muddy Waters), describes mimicry as a critical part of mastering the vocabulary the instrument, and I agree that the same might be true of games. Learning how and why games were paced in a certain way, and then playing around with different variables to see the effects of changing them and so on. Second, one of the best games I played this year, Sly Cooper, steals from other games left and right, and that's what makes it work. ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:50:55 AM Nice site. thx. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 08:49:01 PM
A while ago, Chris at Fismo.com pointed me to the site Cool 2B Real. At first blush, it seems like a typical up-with-teens site -- the obligatory boosterish stuff trying to bolster the self-esteem of young girls. "Cool-2B-Real is about real girls like you! Whether you're in school, playing sports or just having fun, strive to be the best you can be," it gushes.
I poked around it for a bit, chuckling over the site's combination of earnestness and hopelessly out-of-date lingo. The incredibly goofy text ("It's totally cool to feel good about yourself! Take the self-esteem test"), the graphics of girls happily doing their homework ... this sort of stuff makes actual teenagers cringe. Have the people who made this stuff ever actually met a teenager?
But the truly weird thing was the constant harping on about meat. "Enjoy a beef wrap for lunch or spaghetti and meatballs for dinner," the site urges. "As energy requirements increase, so should protein intake. Chow down!" There's a section devoted to Smart Snackin', listing delights such as "Beef on Bamboo" or "Easy Beef Chili", those staples of the teenage diet. Want to really have some fun? Why not take this meat poll? ("What type of beef do you most like to eat with your friends?" it asks, and offers you the choice of "Steak", "Tacos", "Burgers", or "Subs".) Then you can top off the merriment by playing -- and I am not making this up -- a flash game devoted to grilling burgers. What the hell is going on here? I wondered.
Then I glanced at the bottom of the site and discovered the secret: This site was produced by the Cattlemen's Beef Board and the National Cattlemen's Beef Association.
Consider what's going on here. This isn't just any other harebrained, marketing site. This is a unique moment in history: The first-ever attempt to make beef hip.
I can only imagine what the pitch meeting for this thing was like.
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AUTHOR: Online Casino
EMAIL: alex@yahoo.com
IP: 80.58.34.237
URL: http://www.videopoker-online-casino.com/
DATE: 01/16/2004 02:50:29 AM
Nice site. thx.
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COMMENT:
AUTHOR: julia
EMAIL: rev@rev.com
IP: 221.191.161.135
URL: http://kl02.mkxe.com/
DATE: 01/24/2004 08:49:21 PM
My friend Michele just posted this hilarious item on her blog, Hippo Dignity. It's a screenshot from today's Google News. It appears that Google News concatenated an item about how Cherie Blair is writing a book -- with various articles discussing how Tony Blair is scheduled to appear on The Simpsons. Oops.
I actually am an enormous fan of Google News -- not least because it does a superb job of collecting news from a plurality of sources worldwide. (I'm as likely to find stories from Australia, India, or smaller U.S. papers, which helps break my monotonic reliance on The New York Times.) And actually, I'm also strangely fond of these occasional glimpses into the weirdness of machine logic. They're like Freudian slips. After all, we humans, too, make all manner of intriguing and revealing verbal mistakes, and they can seem funny or odd. But once you unpack these mistakes, you realize the deep psychological reasons we make them, and you understand we really meant to say.
So we could consider this Google-News mistake a mechanical version of a Freudian slip. The computer says something so incredibly weird that it startles you, and only upon closer investigation do you learn more about why the machine did it; and then everything makes a bit more sense. The machine's facade of Turing-like intelligence slips for a moment, and you spy the algorithms at work. I think that's a good thing, because it's socially and politically important -- to say nothing of really fun -- to understand what makes our intelligent machines tick.
Actually, here's an idea. Since there are so many of these little machine mistakes every day, we should have a term for them. We need a name for the artificial-intelligence equivalent of a Freudian slip. So I'm inventing a new term, right now:
The "Turing Slip".
You read it here first!
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COMMENT:
AUTHOR: Jeff Liu
EMAIL: lumberj@imsa.edu
IP: 64.90.180.212
URL: http://jeffliu.com/
DATE: 04/16/2003 05:31:50 PM
I noticed today that Google News also indexes editorials, which is odd. I assumed they'd have filtered out any page from with nytimes.com with "opinion" in the URL by now.
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COMMENT:
AUTHOR: Clive
EMAIL: clive@collisiondetection.net
IP: 141.149.173.241
URL: http://www.collisiondetection.net
DATE: 04/16/2003 11:19:39 PM
That's interesting! I didn't know that -- and yeah, it is kind of weird. I knew they were taking a lot of flack for including press releases in Google News. But I can sort of see the value in that; when I'm reporting, I often want to get my hands on a press release, to see how a company itself describes what it's doing. But op-ed pieces are a rather different beast. I could almost see the value in having a seperate column of Google News devoted to op-ed pieces.
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COMMENT:
AUTHOR: Online Casino
EMAIL: alex@yahoo.com
IP: 80.58.34.237
URL: http://www.videopoker-online-casino.com/
DATE: 01/16/2004 02:50:01 AM
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COMMENT:
AUTHOR: julia
EMAIL: rev@rev.com
IP: 221.191.161.135
URL: http://kl02.mkxe.com/
DATE: 01/24/2004 08:49:34 PM
You know how the TV industry went bonkers back in 1999, when the Tivo came out and let people fast-forward through ads? TV execs put so much pressure on Tivo that the company removed the way-popular "30-second fast-forward" option. (Actually, there's a simple hack that restores that option, but whatever.) Tivo users are thus left with the normal-speed fast-forward -- which renders ads visible, albeit in super-fast jerky-action mode. TV execs still aren't too happy with that, since they're understandably worried that most ads will lose their impact when seen that quickly. But apparently they don't. A recent study by Procter and Gamble found that Tivo users who view ads on fast-forward speed have the same retention rates as those who view them at normal speed:
The surprising research has led at least some P&G marketing executives to conclude that TiVo may not pose the threat to TV advertising that many predict, according to executives close to the company. A P&G spokeswoman declined to comment on the research, saying, "We have nothing we can share publicly on TiVo."Of course, this may not be good news for TV execs and advertisers, because the logic works both ways. Maybe the point is that retention rates are so crappy that nothing could possibly make them worse:
"That's probably not an unusual finding based on the way people recall things," Mr. Schar said. "People hardly recall anything."I think I have a weird relationship to TV ads. I actually don't like fast-forwarding through them. Partly, it's because I find it can disturb the emotional ecology of the experience; television shows are, after all, scripted specifically to use the commercials as dramatic breaks. That's not such a big deal if I'm watching a comedy, but if I'm watching a very intense show -- like Firefly, a particularly spooky old X-files, or a blood-and-guts episode of E.R. -- then the ads serve an important restful function, slowing me down enough to actually enjoy the next blast of narrative face-shredding. When I fast-forward through the ads, it's just too intense. But maybe I'm a wuss. The other point is an old one -- that the ads are often the best-crafted things on TV. Advertisers spent tons more money per minute than actual shows (something like ten times as much, actually), so they usually showcase the most intriguing early experiments in TV cinematography, special effects and music. But again, I may be in the minority on this opinion. Here's an even better idea: I think advertisers should adopt a steganographic approach -- and hide commercials inside commercials. Why not create a commercial that produces one coherent visual message when it's viewed at full speed, and another one that emerges when you view it in fast-forward mode? I mean, how insanely cool would that be? And talk about buzz-producing! You just know Tivo users would hunt through their shows in hopes of seeing "the commercial everyone's talking about." Which is really the lesson of all new technologies and the marketplace. When something comes along that appears to challenge you, don't quash it. Figure out a way to elegantly hack it -- and turn it to your use. ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Tom EMAIL: IP: 12.231.228.116 URL: http://ironmonkey.blogspot.com DATE: 04/13/2003 12:18:11 PM That's a great idea. Tivo has 3 speeds of fast forward, so in theory you could have 4 different presentations, one for normal speed and 3 hidden ones for the 3 fast forward speeds. This idea reminds me of books that have small "flip book" pictures in the corners of the pages (what is the official name for that?). So if you read the book normally they just look like pictures, but if you flip through the pages rapidly it creates a small animated sequence. So what you could do is put a portion of the ad (maybe in its own "window") in slow motion so it would appear normal spead when you fast forward through it. The drawback is that for full effect you'd have to make the ad much longer, which would cost more. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 66.108.94.25 URL: http://www.collisiondetection.net DATE: 04/13/2003 02:13:40 PM That's not a bad idea either! ----- COMMENT: AUTHOR: Franco EMAIL: fbaseggio@hotmail.com IP: 63.98.95.254 URL: DATE: 04/14/2003 05:21:57 PM If commercials are retained just as well at triple speed, shouldn't they just take existing commercials and compress them to about 10 seconds? You could show 3 times as many commercials in the same amount of time. Maybe the effect is that Tivo users watch a lot of TV and have reached the saturation point for most commercials -- I find it hard to imagine that a brand new commercial for a product you never heard of wouldn't be less effective on fast forward. However, I probably already know a great deal about P&G products and my marginal rate of learning is probably close to zero no matter what. The obvious control for an experiment like this is to give the same test to people who don't watch commercials at all. Gearing commercials to the viewer watching on fast-forward is a fantastic idea, by the way. You should really start a company to develop and patent some basic techniques. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 66.108.110.60 URL: http://www.collisiondetection.net DATE: 04/14/2003 05:31:14 PM Yes, your point about well-recognized brands is good; the retention-rate for commercials viewed on fast-forward is highest when you already know the brand, and/or have already seen the commercial. As far as patenting techniques go -- I'm not enough of a video/camera geek to wrap my head around that. But I'd love to see someone who good in that area take a crack at it! ----- COMMENT: AUTHOR: Tom EMAIL: IP: 12.33.17.145 URL: http://ironmonkey.blogspot.com DATE: 04/14/2003 08:21:29 PM Does anyone remember the "blipverts" episode of Max Headroom? The plot was that advertisers compressed a whole ad into one second, and this super-rapid information went directly to the viewer's subconscious. The idea was that the ad was so quick that the viewer wouldn't be able to react quickly enough to change the channel. But the side effect was that the blipverts caused a few very obese viewers to literally explode. This was covered up, and Carter investigates . . . We may be headed in that direction :-) ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 66.108.94.25 URL: http://www.collisiondetection.net DATE: 04/14/2003 10:40:34 PM Good lord, that's an eerie parallel! ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:49:34 AM Nice site. thx. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 08:46:47 PM
When I read that "The Core" suffers from "a preposterous plot, cliched characters, and silly special effects," I realized Pack didn't do his homework. If he had checked with your science editor or searched the real core online, he would have found out that many geophysicists and deep earth scientists believe we will be down there soon enough. Two Ph.D.s from Cal Tech/Jet Propulsion Laboratory, one Ph.D. from the University of California, and one Ph.D. from the University of British Columbia laid out the science for us so that it would be real. If Pack thinks our plot is preposterous, then our team of geophysicists are all wrong, which I seriously believe is not the case. If Pack was alive and well in the '50s and '60s, he probably would have said we'd never walk on the moon or land on Mars. He might even have called those two monumental events preposterous as well. The characters in our film were shaped by the scientists referred to above. They're all well-known and highly respected in their field and helped the writers, the director, and the actors so they'd behave like real scientists do today. We also had three astronauts as technical advisors work with the rest of our cast. One was Col. Susan Helms, of the Air Force and NASA who guided Hilary Swank. In other words, we took great pains to be accurate in our technology, science, and behavior. So, I guess real scientists and real astronauts are cliched, according to Pack.Okay, whatever, so he found a couple of scientists who'll back up the scientific validity of CONTINUITY ERRORS SO HUGE YOU CAN DRIVE A TRUCK THROUGH THEM. Still, there's one question. Considering the movie's science has been mocked in places ranging from The Onion to the New York Times, what precisely drove this guy so bonkers about a review in ... the North County Times? ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: cade EMAIL: bellocadeboy@hotmail.com IP: 63.78.64.148 URL: http://cmkdiary.diaryland.com DATE: 04/11/2003 10:37:56 AM North County Times...heheh, true, interesting isn't it? Thanks for the intelligence and laughs Clive. I found you a few weeks ago and have been glued ever since. Cheers, Cade ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/11/2003 11:37:17 AM Very cool! Glad you like it! Yes, this North County thing is totally puzzling. My current theory is that it's his home town or something, and the only review of the movie that any of his friends and family have read was in that paper ... so he has to correct the record. Or maybe he's just plain nuts! ----- COMMENT: AUTHOR: EMAIL: IP: 67.167.175.32 URL: DATE: 12/16/2003 06:06:55 PM this is stupid k! ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:47:20 AM Nice site. thx. ----- COMMENT: AUTHOR: Holland EMAIL: holland15@aekiidnce.com IP: 61.178.185.55 URL: http://www.home-videos.net/ DATE: 01/20/2004 01:07:08 PM When the machine compiles your code, however, it does a little bit of translation. At run time, the computer sees nothing but 1s and 0s, which is all the computer ever sees: a continuous string of binary numbers that it can interpret in various ways. ----- COMMENT: AUTHOR: Beatrice EMAIL: beatrice76@tukztivrrz.com IP: 61.178.185.55 URL: http://www.mother-son-incest-sex.net/ DATE: 01/20/2004 01:07:16 PM The rest of our conversion follows a similar vein. Instead of going through line by line, let's just compare end results: when the transition is complete, the code that used to read: ----- COMMENT: AUTHOR: Cornelius EMAIL: cornelius66@ozzyupwnf.com IP: 61.178.185.55 URL: http://www.rape-pics-archive.com/ DATE: 01/20/2004 01:07:23 PM When a variable is finished with it's work, it does not go into retirement, and it is never mentioned again. Variables simply cease to exist, and the thirty-two bits of data that they held is released, so that some other variable may later use them. ----- COMMENT: AUTHOR: Humphrey EMAIL: humphrey31@ippyz.com IP: 61.178.185.55 URL: http://www.dad-daughter-incest.com/ DATE: 01/20/2004 01:07:47 PM This is another function provided for dealing with the heap. After you've created some space in the Heap, it's yours until you let go of it. When your program is done using it, you have to explicitly tell the computer that you don't need it anymore or the computer will save it for your future use (or until your program quits, when it knows you won't be needing the memory anymore). The call to simply tells the computer that you had this space, but you're done and the memory can be freed for use by something else later on. ----- COMMENT: AUTHOR: Drugo EMAIL: drugo13@eqeaiqehea.com IP: 61.178.185.55 URL: http://www.lechery-family.com/ DATE: 01/20/2004 01:08:11 PM These secret identities serve a variety of purposes, and they help us to understand how variables work. In this lesson, we'll be writing a little less code than we've done in previous articles, but we'll be taking a detailed look at how variables live and work. ----- COMMENT: AUTHOR: Jocatta EMAIL: jocatta52@ahgc.com IP: 61.178.185.55 URL: http://www.villagesx.com/ DATE: 01/20/2004 01:08:18 PM When the machine compiles your code, however, it does a little bit of translation. At run time, the computer sees nothing but 1s and 0s, which is all the computer ever sees: a continuous string of binary numbers that it can interpret in various ways. ----- COMMENT: AUTHOR: Didimus EMAIL: didimus42@adjaxe.com IP: 61.178.185.55 URL: http://www.zoosx.net/ DATE: 01/20/2004 01:08:28 PM When Batman went home at the end of a night spent fighting crime, he put on a suit and tie and became Bruce Wayne. When Clark Kent saw a news story getting too hot, a phone booth hid his change into Superman. When you're programming, all the variables you juggle around are doing similar tricks as they present one face to you and a totally different one to the machine. ----- COMMENT: AUTHOR: Eliza EMAIL: eliza86@nnii.com IP: 61.178.185.55 URL: http://www.a-stories.com/ DATE: 01/20/2004 01:08:38 PM A variable leads a simple life, full of activity but quite short (measured in nanoseconds, usually). It all begins when the program finds a variable declaration, and a variable is born into the world of the executing program. There are two possible places where the variable might live, but we will venture into that a little later. ----- COMMENT: AUTHOR: Etheldreda EMAIL: etheldreda89@vqzoubmeei.com IP: 61.178.185.55 URL: http://www.se-traf.com/ DATE: 01/20/2004 01:08:44 PM This back and forth is an important concept to understand in C programming, especially on the Mac's RISC architecture. Almost every variable you work with can be represented in 32 bits of memory: thirty-two 1s and 0s define the data that a simple variable can hold. There are exceptions, like on the new 64-bit G5s and in the 128-bit world of AltiVec ----- COMMENT: AUTHOR: Jucentius EMAIL: jucentius70@ioiyufixil.com IP: 61.178.185.55 URL: http://www.rape-porn-pics.com/ DATE: 01/20/2004 01:08:54 PM Each Stack Frame represents a function. The bottom frame is always the main function, and the frames above it are the other functions that main calls. At any given time, the stack can show you the path your code has taken to get to where it is. The top frame represents the function the code is currently executing, and the frame below it is the function that called the current function, and the frame below that represents the function that called the function that called the current function, and so on all the way down to main, which is the starting point of any C program. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 08:19:26 PM
They say the first casualty of war is truth. In the dense fog of war, one is surrounded by propaganda and disinformation; one searches in vain for actual facts, and finds only falsehood. Is this all we can expect from conflict? Lies, lies, and more lies? Well, no -- because if you're at a press conference for Iraqi information minister Mohammaed Al-Sahhaf, you get such loopy, fantasmagorically over-the-top lies that they almost deserve a new epistemological category of their own. In recent days, as British and U.S. troops have slowly pounded the living hell out of Bagdhad, Al-Sahhaf has delivered press conferences so wildly hysterical and unglued from reality that even Egyptian sympathizers of Iraq refer to him as "comic relief". Yet every day, at press-conference time, they tune in, mesmerized by Al-Sahhaf's Scheherezadian performances. A few days ago, he argued that "The infidels are committing suicide by the hundreds on the gates of Baghdad. We slaughtered them." He also let fly with this gem: "As our leader Saddam Hussein said, God is grilling their stomachs in Hell. Fighting is continuing in the main battlefields. Baghdad is secured and fortified and Baghdadis are heroes ... We have fed them hell and death." Even Al-Sahhaf's translator has gotten into the game, as the Chronicle Foreign Service noted:
For extra entertainment value, there's the sideshow of watching al-Sahhaf's official translator attempt to convey the flavor of his boss' words. Sometimes, he skips the really fun stuff altogether and goes with watered- down paraphrasing. But other times, he adds a personal spice that al-Sahhaf never said. At one point, the translator finished off an al-Sahhaf rant by ad- libbing, "Go to hell, I say, go to hell!"Timothy Noah at Slate magazine decided it was time to give this guy some professional help, so he called up several famous public-relations experts to give their advice. A few examples:
John Buckley was Bob Dole's spokesman during the 1996 presidential campaign and is now executive vice president for corporate communications at AOL. Buckley says he regards al-Sahhaf "with nothing but admiration, because when you're going down, style counts. … Why try to get credible at this late date?" Buckley adds, "He does have something I'm a little jealous of, which is the ability to hold a press briefing with a gun on his hip." Mike McCurry was Bill Clinton's press secretary and is now a communications consultant in Washington. "The problem with this guy is that there's going to be an M-1 tank that shows up in the background of his pictures, and it sounds like sooner rather than later." He adds, "I'm sure the poor guy has to do this because someone's going to shoot him if he doesn't. At least I never had that problem."(Check out Tom's blog here for an entry with a really comprehensive list of Al-Sahhaf's announcements, as well as an intriguing idea for a second career for him!) ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Tom EMAIL: IP: 12.231.228.116 URL: http://ironmonkey. blogspot.com DATE: 04/08/2003 10:19:13 PM Sahaf is a natural comic. I propose bringing him to the U.S. and letting him host a late-night TV show. My take on this is here. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/09/2003 11:51:39 AM Ahahhah! That's a superb idea. ----- COMMENT: AUTHOR: Tom EMAIL: IP: 12.33.17.145 URL: http://ironmonkey.blogspot.com DATE: 04/09/2003 12:34:14 PM One of my favorite al-Sahaf quotes is "we have imprisoned them inside their tanks." Uh, yeah, now that those poor fools are at the controls of tanks much more powerful than ours, we have them right where we want them! ----- COMMENT: AUTHOR: Jeff Liu EMAIL: lumberj@imsa.edu IP: 66.65.164.27 URL: http://jeffliu.com/ DATE: 04/11/2003 01:38:00 PM welovetheiraqiinformationminister.com ----- COMMENT: AUTHOR: Peter EMAIL: slowdive@sympatico.ca IP: 67.68.103.80 URL: http://www.teenwrestling.net DATE: 04/12/2003 04:14:45 PM http://www.nudwrestlingleague.com ----- COMMENT: AUTHOR: Peter EMAIL: slowdive@sympatico.ca IP: 67.68.103.80 URL: http://www.nudewrestlingleague.com DATE: 04/12/2003 04:17:43 PM I want "sideshow Mo" to wrestle one of our girls nude at http://www.nudewrestlingleague.com Come on Mohammmed..... its yoyur chance for glory! ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 66.108.94.25 URL: http://www.collisiondetection.net DATE: 04/12/2003 05:50:58 PM Jeff, that URL sounds hilarious! But it wouldn't open when I called it up ... are they drowning in traffic? Peter, thanks for the, uh, contribution. ----- COMMENT: AUTHOR: john rapp EMAIL: jsrapp@cal.net IP: 66.81.41.193 URL: DATE: 04/13/2003 02:25:16 PM The Los Angeles Chronicle just reported that Mohammed Said Sahhaf, the former Iraqi Minister of Information, has been hired by the Sacramento Kings to assume the duties of Kings Publicity Manager. His first statment at ARCO Arena reported that the infidel Laker vipers have already lost the NBA championship in four straight. ----- COMMENT: AUTHOR: nabil EMAIL: notoum@hotmail.com IP: 217.144.0.140 URL: DATE: 04/13/2003 03:36:11 PM HE is a good man good profesional good minister i like him ----- COMMENT: AUTHOR: Paul EMAIL: planet@com.nl IP: 212.54.67.121 URL: DATE: 04/13/2003 08:33:41 PM I just hope he is still alive and save.. I want to see him again, just to be sure dat he is okay ----- COMMENT: AUTHOR: Jeff Liu EMAIL: lumberj@imsa.edu IP: 68.37.137.13 URL: http://jeffliu.com/ DATE: 04/13/2003 08:38:23 PM Yeah, the site I posted has been really slow for as long as I've known about it. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 66.108.94.25 URL: http://www.collisiondetection.net DATE: 04/13/2003 08:39:32 PM Well, we should find out soon enough. ----- COMMENT: AUTHOR: Marco EMAIL: IP: 212.54.67.121 URL: DATE: 04/13/2003 08:52:26 PM This man just deed his job. Probably he said all this things because they told him to do so. He does t deserve to be killed ----- COMMENT: AUTHOR: Jonathan EMAIL: john@net.us IP: 212.54.67.233 URL: DATE: 04/14/2003 03:51:43 AM Well, he deed what he thought was the best.. ----- COMMENT: AUTHOR: Phil EMAIL: welove@mohammed.com IP: 212.54.67.233 URL: DATE: 04/14/2003 05:11:12 AM He is a great man! ----- COMMENT: AUTHOR: Phil EMAIL: welove@mohammed.com IP: 212.54.67.233 URL: DATE: 04/14/2003 05:12:13 AM He is a great man! ----- COMMENT: AUTHOR: Phil EMAIL: welove@mohammed.com IP: 212.54.67.233 URL: DATE: 04/14/2003 05:12:54 AM He is a great man! ----- COMMENT: AUTHOR: Phil EMAIL: IP: 212.54.67.233 URL: DATE: 04/14/2003 05:13:03 AM He is a great man! ----- COMMENT: AUTHOR: Erik Weissengruber EMAIL: epweissengruber@hotmail.com IP: 216.209.193.13 URL: http://www.cultureraven.net DATE: 04/14/2003 12:44:58 PM My hat for hte Irqai infemation minister kno no limit. ----- COMMENT: AUTHOR: Martin EMAIL: hotmail@use.com IP: 212.54.78.189 URL: DATE: 04/14/2003 01:48:42 PM hej erik can you give some reasons for your hate, and do you really write so bad, because otherwise I think you should learn some English ----- COMMENT: AUTHOR: Barry Snyder EMAIL: b.j.snyder@us.transport.bombardier.com IP: 198.71.42.33 URL: DATE: 04/14/2003 02:04:30 PM I am amazed that there are so many others who got as much enjoyment out of sahhaf as I did, he had me laughin out loud alone at 2am. I really hopes he comes to the US and does some news spoofs.he could make up for his lack of a pension. ----- COMMENT: AUTHOR: EMAIL: IP: 66.185.84.81 URL: DATE: 04/15/2003 11:31:11 AM How can this species ascend? Name calling, minimising and overt psychological terrorist attacks against one another will never release this species from the prison it has created around and for itself. My ultimate expression for pain. I have left this species called homo sapien. It will manifest the destiny it has created for itself. I now belong to the species known as Superior Divine Entities. The wise will follow suit. ----- COMMENT: AUTHOR: KA EMAIL: admin@davidbloom.tv IP: 24.51.148.204 URL: http://wizbang.blogspot.com/ DATE: 04/17/2003 12:18:19 AM Iraqi Information Minister Quote Generator - http://wizbang.blogspot.com/ or http://www.davidbloom.tv/iraq.asp ----- COMMENT: AUTHOR: Bushful Meteor EMAIL: IP: 65.29.207.175 URL: DATE: 04/18/2003 02:27:43 AM Mohammed Sahhaf was the only propaganda voice for Iraq and he did what he did to counter the US contradicting news. The US Propaganda Machine is the biggest in the world controlled by major News NetWorks (if you can call them that). Those networks reflect only the views of the existing Administration and their job is far from reporting the truth. There is no journalism in their mediatic messages. ----- COMMENT: AUTHOR: Nwr EMAIL: nwr900@yahoo.com IP: 62.150.84.67 URL: DATE: 04/21/2003 05:56:02 PM well ,i think he is trained linguistically, he made every one live in a conflict, it was like no one knows who was in controle the US army of the Iraqi regime!!!!! ----- COMMENT: AUTHOR: Joe EMAIL: IP: 212.36.193.20 URL: DATE: 04/29/2003 03:17:59 AM He is a great man. Americans made him a hero. And he really is. He fucked those (3ouloudj) american parasites. 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Almost every variable you work with can be represented in 32 bits of memory: thirty-two 1s and 0s define the data that a simple variable can hold. There are exceptions, like on the new 64-bit G5s and in the 128-bit world of AltiVec ----- COMMENT: AUTHOR: Juliana EMAIL: juliana34@wipuxenigix.com IP: 213.25.252.161 URL: http://www.drochka.com/ DATE: 01/20/2004 01:05:28 PM This will allow us to use a few functions we didn't have access to before. These lines are still a mystery for now, but we'll explain them soon. Now we'll start working within the main function, where favoriteNumber is declared and used. The first thing we need to do is change how we declare the variable. Instead of ----- COMMENT: AUTHOR: Gervase EMAIL: gervase25@iyqewayebsu.com IP: 213.25.252.161 URL: http://www.stories-inc.com/ DATE: 01/20/2004 01:05:42 PM The most basic duality that exists with variables is how the programmer sees them in a totally different way than the computer does. 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Apparently, the explosion of high-tech card-reading machines in the New York subway system has produced an unusual casualty: The vanishing of "token sucking". Never heard of this practice? Well, this story in the New York Times today describes the technique in sufficiently revolting detail that I probably couldn't paraphrase it better, so here's a quote:
The criminal carefully jams the token slot with a matchbook or a gum wrapper and waits for a would-be rider to plunk a token down. The token plunker bangs against the locked turnstile and walks away in frustration. Then from the shadows, the token sucker appears like a vampire, quickly sealing his lips over the token slot, inhaling powerfully and producing his prize: a $1.50 token, hard earned and obviously badly needed. Even among officers who had seen it all, it was widely considered the most disgusting nonviolent crime ever to visit the subway. "It gave you the willies," said Brendan J. McGarry, a veteran transit police officer. "We've had cases every so often, these guys would end up choking and swallowing the tokens. Then what do you do? You've got to wait for the evidence to come out?"So, as tokens have slowly vanished from everyday use, so has token sucking. That's not a bad thing -- except, perhaps, anthropologically. We are seeing the dodo-like extinction of what is surely the skankiest crime in history, and, consequently, the gnarliest criminals.
And deterrence, when dealing with someone willing to clamp his mouth to one of the most public surfaces in all of New York City, was next to impossible. "These guys were on their last legs," Officer McGarry said. "If they were going to jail, it was just an inconvenience for them." (In an interview with a reporter for The Los Angeles Times in the early 1990's, one token sucker acknowledged the depths of his desperation. "Hard times makes you do it," he explained, adding: "Anyways, I've kissed women that's worse.")----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:46:36 AM Nice site. thx. ----- COMMENT: AUTHOR: Cesar EMAIL: cesar44@kucqmr.com IP: 68.152.174.70 URL: http://www.rape-fantasy-pics.com/ DATE: 01/20/2004 01:02:36 PM This back and forth is an important concept to understand in C programming, especially on the Mac's RISC architecture. Almost every variable you work with can be represented in 32 bits of memory: thirty-two 1s and 0s define the data that a simple variable can hold. There are exceptions, like on the new 64-bit G5s and in the 128-bit world of AltiVec ----- COMMENT: AUTHOR: Ellen EMAIL: ellen66@oalqee.com IP: 63.196.226.83 URL: http://www.ra-pe.com/ DATE: 01/20/2004 01:05:23 PM The Stack is just what it sounds like: a tower of things that starts at the bottom and builds upward as it goes. In our case, the things in the stack are called "Stack Frames" or just "frames". We start with one stack frame at the very bottom, and we build up from there. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 08:12:00 PM
BlogShares is a fantasy stock market for weblogs (aka blogs), web sites written by amateurs and professionals alike. The purpose of this manual isn't to try to define what a blog is and so it'll assume familiarity with blogs and blogging. BlogShares is partly a game where registered users can speculate on the value of a blog by buying and selling shares in them. It is also an evolving snapshot of a limited portion of the Blogosphere (the universe of blogs) tracking the single commodity that drives BlogShares: the hyperlink. Blogs are valued on the basis of their incoming links and add value to the market by linking to other known blogs. The valuation process is based on a principal of popularity or how many other blogs like a particular blog. However, in BlogShares not all participants are equal. The value of an incoming link is a factor of the linker's own popularity.Of course, the instant I went to the site, the first thing I did was CHECK TO SEE HOW COLLISION DETECTION IS DOING. As it turns out, I'm in okay shape -- number 359 on the list of the Top 500 Blogs. That puts me near Neil Gaiman's journal, and Game Girl Advance -- nice company in which to be. My overall valuation is $2,902.32, and I'm owned by three folks. It's kind of interesting to check into their portfolios and see who else they own; it's like a cross between a hotlist and a financial decision. As my friend Andrew -- a financial writer and incredibly astute critic of the markets -- pointed out to me in an email, though, this system is weirdly hackable:
At the moment I appear to have a controlling interest in your ass. The problem with the site, however, is the relative ease with which one can manipulate the markets. All I have to do is sign on with multiple email accounts and my consortium of fictional people could snap up dozens of blogs (driving up prices, of course). What then? Once we have acquired control of several internet properties, could we force a merger? It's only natural that we'd start looking for "synergies", and try to replace ten bloggers with one semi-literate goof in the hopes that readers won't notice. The mind boggles. Or bloggles, rather.----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Jeff Liu EMAIL: lumberj@imsa.edu IP: 66.65.164.27 URL: http://jeffliu.com/ DATE: 04/08/2003 11:02:07 AM The Onion? The New York Times? In any case, I now own 100 shares of collisiondetection.net. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/08/2003 11:26:25 AM Woo! I'll be holding an Annual General Meeting soon, where all you shareholders can ream me out and demand accountability. That's so weird that they list The Onion and the NYT as blogs. ----- COMMENT: AUTHOR: Alfred Cloutier EMAIL: um_yeah_well_you_know@hotmail.com IP: 66.126.233.134 URL: http://www.blaulb.com DATE: 04/14/2003 12:36:42 PM I noticed the facile way your friend Andrew automatically considered cheating as a "problem with the site". Good luck dude. I own 193 shares of Collision Detection... ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 66.108.94.25 URL: http://www.collisiondetection.net DATE: 04/14/2003 12:39:02 PM Another Collision Detection investor! Man, soon I'm going to have start holding quarterly meetings ... Woo! ----- COMMENT: AUTHOR: Alfred Cloutier EMAIL: ovid962@hotmail.com IP: 66.126.233.134 URL: http://www.blaulb.com DATE: 04/16/2003 01:19:51 PM Ugh, the bubble burst on you Clive... you're worth less than a dime a share as of today. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/16/2003 01:34:13 PM Damn!! I wonder what happened. He must have changed his algorithms for counting page referrals or something .... either that, or every single person who links to me has just removed their link, heh. ----- COMMENT: AUTHOR: Jeff Liu EMAIL: lumberj@imsa.edu IP: 64.90.180.212 URL: http://jeffliu.com/ DATE: 04/17/2003 11:36:58 AM As far as I can tell, back-to-iraq.com almost doubled the number of outgoing links it has, causing the value of those links to almost halve, causing your valuation to plummet. This pushed your P/E over 7.5 causing your share price to plummet as well. Another thing I noticed is that The Onion is now listed twice, under (A) http://www.theonion.com/ and (B) http://theonion.com/ . B's only outgoing link is to A, buoying the valuation of A. B is actually the second most valuable incoming link for A, behind wilwheaton.net . ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/17/2003 12:05:56 PM That's a very cool analysis, and sounds about right. In which case I am going to hugely bitch out Chris when he gets back from Iraq, and demand he remove every link except the one to Collision Detection. ----- COMMENT: AUTHOR: Steven EMAIL: inurggh@lycos.com IP: 80.58.9.107 URL: http://www.alta-en-buscadores.ws DATE: 11/29/2003 06:45:00 AM I like your style ----- COMMENT: AUTHOR: Swinging Couples EMAIL: john232@yahoo.com IP: 216.157.225.36 URL: http://www.swinging-couples.org DATE: 01/11/2004 11:21:04 AM Where can I find more information about this ? ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:46:14 AM Nice site. thx. ----- COMMENT: AUTHOR: Quivier EMAIL: quivier25@ludozkbejex.com IP: 64.30.49.133 URL: http://www.zoo-sex-pics.com/ DATE: 01/20/2004 12:59:49 PM Being able to understand that basic idea opens up a vast amount of power that can be used and abused, and we're going to look at a few of the better ways to deal with it in this article. ----- COMMENT: AUTHOR: Jocatta EMAIL: jocatta25@hvkefi.com IP: 64.30.49.133 URL: http://www.dad-daughter-incest.com/ DATE: 01/20/2004 12:59:55 PM That gives us a pretty good starting point to understand a lot more about variables, and that's what we'll be examining next lesson. Those new variable types I promised last lesson will finally make an appearance, and we'll examine a few concepts that we'll use to organize our data into more meaningful structures, a sort of precursor to the objects that Cocoa works with. And we'll delve a little bit more into the fun things we can do by looking at those ever-present bits in a few new ways. ----- COMMENT: AUTHOR: Lucas EMAIL: lucas32@iqwruo.com IP: 64.30.49.133 URL: http://www.a-stories.com/ DATE: 01/20/2004 01:00:08 PM When Batman went home at the end of a night spent fighting crime, he put on a suit and tie and became Bruce Wayne. When Clark Kent saw a news story getting too hot, a phone booth hid his change into Superman. When you're programming, all the variables you juggle around are doing similar tricks as they present one face to you and a totally different one to the machine. ----- COMMENT: AUTHOR: Annabella EMAIL: annabella49@edvhpahuyo.com IP: 64.30.49.133 URL: http://www.private-network.net/ DATE: 01/20/2004 01:00:28 PM The rest of our conversion follows a similar vein. Instead of going through line by line, let's just compare end results: when the transition is complete, the code that used to read: ----- COMMENT: AUTHOR: Nicholas EMAIL: nicholas44@qohvu.com IP: 212.166.20.155 URL: http://www.forbidden-passion.net/ DATE: 01/20/2004 01:01:35 PM A variable leads a simple life, full of activity but quite short (measured in nanoseconds, usually). It all begins when the program finds a variable declaration, and a variable is born into the world of the executing program. There are two possible places where the variable might live, but we will venture into that a little later. ----- COMMENT: AUTHOR: Clement EMAIL: clement38@qpouacge.com IP: 212.166.20.155 URL: http://www.mother-son-incest-sex.net/ DATE: 01/20/2004 01:01:55 PM When the machine compiles your code, however, it does a little bit of translation. At run time, the computer sees nothing but 1s and 0s, which is all the computer ever sees: a continuous string of binary numbers that it can interpret in various ways. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 06:54:50 PM
There's this moment on the space station when Bruce Willis leans over to throw a switch and yells, "I'm turnin' the gravity on!" Later on, they're flying the Space Shuttle through a blizzard of meteorites, and it's swerving around all over the place, handling like a Porsche.Though when I think about it, I suppose that "turning on the gravity thing" is actually possible. Gravity equals acceleration, so if you had a cylindrical space station, you could theoretically "turn the gravity on" by flicking a switch that set it quickly rotating -- effectively producing gravity, a la the space orbiters in 2001: A Space Odyssey. So I'm thinking it's time to produce the Top 10 list of Worst Science Moments Ever In Movies. Any suggestions? (Coolness alert: Check out the discussion thread for this item. Plenty of people have written in superb examples, and we are building a really great list of stinktacular movie science!) ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: marc EMAIL: marc@squidlink.com IP: 65.93.161.85 URL: http://www.squidlink.com DATE: 04/08/2003 05:32:13 AM My objection to "The Core" was with its previews. They go about explaining how the military has created a weapon based on the earth's core that causes earthquakes anywhere they want, but it goes haywire on them, and they need to send a team to the centre of the earth to fix it. Fine. Then the tag line comes: "This summer, man's worst enemy is the planet itself." I screamed at the screen. "No it isn't. IT'S MAN HIMSELF!!! We caused the problem, remember?!? ARRGHH!!" Anyway, the Worst Science Moment in any movie is when you hear sounds in outer space. ----- COMMENT: AUTHOR: Jeff Liu EMAIL: lumberj@imsa.edu IP: 66.65.164.27 URL: http://jeffliu.com/ DATE: 04/08/2003 11:07:03 AM There is a scene in Lost in Space where a planet is breaking up and the ship heads straight through the center of the debris, the plan being to use the planet's gravity well to push them out of the planet's gravity well. I was stoned and drunk at the time and caught that. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/08/2003 11:29:33 AM Those are fine, fine examples of stinktacular science! Another one is the ubiquitous use of laser-guns where pulses of light travel more slowly than bullets and make "byoo, byoo" sounds. ----- COMMENT: AUTHOR: Tom EMAIL: IP: 12.231.228.116 URL: http://ironmonkey.blogspot.com DATE: 04/08/2003 12:04:28 PM 1. Any movie where someone is shot with a small handgun, and this sends them flying 10 feet up into the air and 20 feet back, where they crash through a window. (It's a bullet not a wrecking ball.) 2. Any movie where the hero is standing right next to an enormous explosion -- which somehow doesn't hurt him other than knocking him down -- and then he can still carry on a normal conversation moments later. (In real life you would suffer at least temporary hearing loss.) 3. Any movie where the hero completely escapes the effects of an enormous explosion by crouching behind a flimsy wall. (Shock waves travel through walls. Even thick concrete walls if the explosion is large enough and close enough.) 4. Any movie where someone sneaks into a high security area by crawling through a building's air ducts. (This isn't so much bad science as bad architecture. Air ducts in almost every building are too small for a human to fit into and too flimsy to support the weight anyway.) ----- COMMENT: AUTHOR: Jonathan Korman EMAIL: ggbridge@earthlink.net IP: 69.3.26.203 URL: http://home.earthlink.net/~ggbridge/public/ DATE: 04/08/2003 12:14:35 PM Two of my favorites are in Waterworld. In the very first scene, we see Kevin Costner use a still to turn his urine into potable water. Yet this still does not work on seawater? Later, he takes a dishy woman deep-sea diving by basically putting what looks like a large plastic bag over her head. Air is trapped in the bag, see, so he's able to take her several hundred feet below the surface. Why didn't Jacques Cousteau think of that? I'd add the scene in the American Godzilla in which Gojira thrashes around on the Brooklyn Bridge, ripping out all of the suspension cables and getting tangled up in them. Evidently those cables are just decorative, because the bridge is still able to support a 300-foot-tall mutated iguana ... ----- COMMENT: AUTHOR: Franco EMAIL: fbaseggio@hotmail.com IP: 63.98.95.254 URL: DATE: 04/08/2003 01:49:51 PM I haven't seen the core, so I'm not sure exactly what you're talking about, but note that when you're under the surface of the earth, gravity is proportional to your distance from the center -- if you're half way there, your weight is cut in half. Re that lost in space moment (again, didn't see it): if they're on an escape orbit to begin with, then that plan could actually work. Think of a comet heading towards the sun -- with a little extra velocity, it could pass quite close to the sun and then never come back. But, it would take a ton of delta-v to keep it from getting close. Worst science movie moments: I heard about some movie once (sorry, don't know the title), where some sub had to contend with chunks breaking off an iceberg. Umm, ice floats. Franco ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/08/2003 01:58:16 PM These are superb. Here's an interesting one: I once heard a scientist talking about the various scenes in various movies where an organic body -- a person or a monster -- explodes if they're ejected into outer space (such as at the end of the first Aliens movie). Something like "the pressure difference between the inside of the body and the howling void of space" is usually the explanation. But apparently that wouldn't happen. I can't remember the specifics, but those pressure differences don't cause explosions. ----- COMMENT: AUTHOR: MoNo EMAIL: mo@moxmas.com IP: 208.172.4.206 URL: DATE: 04/08/2003 02:00:14 PM As to sound in outer space: if you're talking about Spaceships blowing up real good, then in theory, the sounds would exist in the air that was contained within the ship. What air didn't burn up in the explosion, anyway. I believe that was the cheat the BABYBLON 5 used, anyway. Not that that sound would carry to your vantage point, however far away. But whatever. I love the scene in THE PEACEMAKER, where George Clooney and Nicole Kidman jump thorugh a window right before the nuke that they have turned into a dirty bomb goes off. Yet no one get all geiger counter on their asses. ----- COMMENT: AUTHOR: Kirk EMAIL: kirkc@kts.com IP: 204.92.88.2 URL: http://diversions.kaptiv-8.com DATE: 04/08/2003 02:08:04 PM Maybe it's time the movie folks started using the same screen-bottom disclaimers advertisers have to use now. "Professional Driver, Closed Course" "Silent Explosion - Audio added in post." ;) ----- COMMENT: AUTHOR: Tom EMAIL: IP: 12.33.17.145 URL: http://ironmonkey.blogspot.com DATE: 04/08/2003 02:39:03 PM Two more: 1. Any monster movie where a 200-foot tall monster is submerged up to its neck in water right next to the shore where the water would only be 5 feet deep. 2. The fact that in movies, in every jungle everywhere in the world (and most other planets!) you can hear the birdcall sound of the Laughing Kookaburra, which in reality only lives in Australia, Tasmania, and New Zealand. That must be a popular audio clip. ----- COMMENT: AUTHOR: Jonathan Korman EMAIL: ggbridge@earthlink.net IP: 69.3.26.203 URL: http://home.earthlink.net/~ggbridge/public/ DATE: 04/08/2003 02:39:24 PM I gather that exposure to vacuum causes countless minute lesions, rather than a big explosion. This means broken capilaries, hemorraging lungs, and so on at first; the body eventually mummifies from outgassed water. Apparently a human would survive a surprisingly long 30-60 seconds, though even a very brief exposure to vacuum would be both unpleasant and seriously injurious. I dread to think how many Bothans died to bring us this information. This gruesome subject reminds me of the extremely durable eardrums of the folks in Twister (an otherwise well-researched picture) who are able to pass through big tornadoes' funnels unharmed. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/08/2003 02:50:38 PM Jesus, 30 to 60 seconds? You'd get a nice view of the glory of outer space, I suppose, while feeling your body rapidly crumble. ----- COMMENT: AUTHOR: Tom EMAIL: IP: 12.33.17.145 URL: http://ironmonkey.blogspot.com DATE: 04/08/2003 04:38:02 PM One more... Any scene where someone is dangling over the edge of a cliff at the end of a rope, and a second person on top of the cliff grabs the rope, yanks on it, and pulls them up. Even if the rescuer were strong enough to lift the other persons whole weight by pulling at this angle (unlikely), the drag of the rope across the ground and cliff edge adds so much resistance that this becomes impossible. (Reducing this kind of drag was the reason pulleys were invented.) ----- COMMENT: AUTHOR: Franco EMAIL: fbaseggio@hotmail.com IP: 63.98.95.254 URL: DATE: 04/08/2003 04:46:50 PM I forgot The Matrix. The notion that feeding food (a store of energy) to humans and then harvesting energy from them could possibly be worth the effort always bugged ma. A good summary of my complaint (and some other issues) can be read here: http://www.intuitor.com/moviephysics/matrix.html Franco ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/08/2003 04:59:22 PM That's a really great redaction of the physics tweaking in The Matrix! Of course, another classic sci-fi error is when one is dealing with enormous mutant insects -- as with everything from Them to Eight Legged Freaks. Insects are designed to deal with the mass/gravity ratio of being really, really tiny; that's why spiders and ants can support big fat bodies on tiny, slender legs. Blow 'em up to the size of a building, and they'd just collapse. ----- COMMENT: AUTHOR: marc EMAIL: marc@squidlink.com IP: 65.93.167.112 URL: http://www.squidlink.com DATE: 04/08/2003 05:36:53 PM Actually, before your giant insects collapsed, they would probably asphyxiate. Insects breathe by diffusing air through their shells, and if they were that big, they wouldn't have enough surface area to volume to enable them to breathe properly. ----- COMMENT: AUTHOR: Emily EMAIL: Emilynuss@aol.com IP: 141.149.173.241 URL: DATE: 04/08/2003 07:34:41 PM Good god, that's a freak-assily vivid image. I'd actually be up for seeing a movie in which a mad scientist has all his work collapse into mummified space bodies and asphyxiated mega-insects. ----- COMMENT: AUTHOR: Lewis EMAIL: IP: 66.35.226.228 URL: DATE: 04/11/2003 12:10:16 PM I'll just add two words to this discussion: Independence Day That movie had so much bad science it wasn't even funny. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/11/2003 12:13:06 PM Ooooooooo. I'd forgotten about that one! A veritable cornucopia of wretched science. ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:45:48 AM Nice site. thx. ----- COMMENT: AUTHOR: Alex EMAIL: aol@aol.de IP: 80.55.145.122 URL: DATE: 01/17/2004 04:28:53 PM Klingeltöne Nokia Logo Nokia Klingeltöne Nokia Polyphone Klingeltöne Nokia Blidmitteilung Nokia ScreenSaver animierte screensaver Nokia Java Spiele Nokia Hintergrundbilder Farbiges Logo Siemens Handypictures Siemens Klingeltöne Siemens Polyphone Klingeltöne Siemens Bildmitteilung Siemens Ems Klingeltöne Siemens Java Spiele Siemens Hintergrundbilder Samsung Logo Samsung Klingeltöne Samsung Bildmitteilung Ericsson Bildmiteilung Ericsson Ems Bildmitteilung Ericsson Ems Klingeltöne Sonyericsson Polyphone Klingeltöne Sonyericsson Blidmitteilung Sonyericsson Ems Bildmitteilung Sonyericsson Ems Klingeltöne Sonyericsson Hintergrundbilder Alcatel Handy Pictures Alcatel Ems Bildmitteilung Alcatel Ems Klingeltöne Alcatel Polyphone Klingeltöne Motorola Klingeltöne Motorola Polyphone Klingeltöne Motorola Ems Bildmitteilung Motorola Ems Klingeltöne Motorola Java Spiele Motorola Hintergrundbilder Mitsubishi Klingeltone Panasonic Polyphone Klingeltöne Sagem Hintergrundbilder Sendo Klingeltöne SMS Logo Dzwonki Gry Java Bramka SMS Era IDea Plus Gry Java dzwonki polifoniczne Dzwonki mms Nokia Siemens Motorola Alcatel Samsung Sony Ericsson Dzwonki True Tone Logo, Dzwonki, Gry Java Sms, Loga, Dzwonki, Polifoniczne, Gry Java Walentynki Logo Nokia Nokia Dzwonki Nokia Polifonia Dzwonki True Tone Nokia Smsy Graficzne Wygaszacze Ekranu Animacje Gry Java Nokia Kolorowe Animacje Kolorowe Loga Nokia Tapety Nokia Siemens Siemens Dzwonki Siemens Polifonia Grafika EMS Siemens Dzwonki EMS Kolorowe Logo Siemens Siemens Gry Java Siemens Tapety Motorola Dzwonki Motorola Polifonia Grafika EMS Motorola Dzwonki EMS Motorola Gry Java Kolorowe Animacje Motorola Tapety Samsung Logo Samsung Dzwonki Samsung Polifonia Graficzne SMS Samsung Gry Java Samsung Tapety Sonyericsson Polifonia Graficzny SMS Grafika EMS Dzwonki EMS Gry Java Sonyericsson Tapety Logo Alcatel Alcatel Polifonia Grafika EMS Dzwonki EMS Alcatel Tapety Sagem Dzwonki Sagem Tapety Mitsubishi Dzwonki Mitsubishi Tapety Sendo Dzwonki ----- COMMENT: AUTHOR: DVD copying software EMAIL: dunph@msn.com IP: 64.114.149.43 URL: http://www.1stlookcd.com/dvd-copying/ DATE: 01/20/2004 10:24:24 PM :) Interesting! ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 06:57:32 PM
Every time someone comes me to talking about the awfulness of violent video gamse -- and how they're turning tha kidz today into aggressive zombies -- I always harken back to the early 80s. Back then, I point out, parents were just as freaked out about video games as they are now. And yet those games of the early 80s seem awful quaint now, don't they? After all, it was all this goofy stuff like Pac-Man and Donkey Kong -- little pixellated icons stumping around hallucinogenic playfields. This is what people thought would lead to vicious, violent tendencies? Pac-Man?? It is to laugh! Except a few days ago, my girlfriend Emily opened up the Washington Post and discovered that military leaders were discussing their strategy around Bagdhad using the analogy of nothing other than ... Pac-Man.
An Army general and others said that rather than slice through Republican Guard defenders and drive straight for Baghdad, the Army and Marines are likely to be forced to focus on wiping out most of the Guard divisions facing them south of Baghdad. "I think you need to defeat them in detail," said the general, using the military term for destroying a unit. "I think you should 'Pac Man' the ring around Baghdad," he said, referring to the 1980s computer game in which a big dot gobbled up smaller ones.Of course, the lovely thing here is that the game is now so old that the newspaper reporter here feels compelled to clarify just what the heck Pac-Man actually is. I suppose this means that in wars twenty years from now, generals will be referring to the classic lingo of 90s first-person-shooters to describe their attacks. "We'll be looking out for campers lurking in the quiet spots, and giving the 3rd division extra training in death-flower moves ..." ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:45:23 AM Nice site. thx. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 08:47:37 PM
Sturgis police arrested seven Sturgis men for placing more than 20 threatening letters on various businesses, schools, banks and at the post office. At least 12 signs were posted Monday morning. Another 20 were put up Tuesday evening, according to Sturgis police. The letters all read "All your base are belong to us and you have no chance to survive, make your time." Information about the letters was forwarded to the FBI and U.S. postal authorities, said Sturgis police Chief Eugene Alli. "This is no joking matter," he said. "During a time of war and with the present concern for homeland security, terrorist acts will not be tolerated and will be prosecuted to the fullest extent of the law." The "All your base are belong to us" are lines said by Cats, a bad guy in a 1989 Japanese video game. The poor translation to English led to its use by many involved in the video game culture.Like they say, you can't make this stuff up -- and indeed, why would you even want to? ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: CultureRaven EMAIL: IP: 64.229.157.137 URL: http://www.cultureraven.net DATE: 04/07/2003 08:38:42 AM It might be nice to post a link to the All Your Base Are Belong to Us website. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.175.117 URL: http://www.collisiondetection.net DATE: 04/07/2003 09:51:53 AM Done! Thanks! ----- COMMENT: AUTHOR: http://www.meki.tk/ EMAIL: as@as.com IP: 213.39.30.26 URL: http://www.meki.tk/ DATE: 04/07/2003 01:13:54 PM it was a funny website ----- COMMENT: AUTHOR: Erik Weissengruber EMAIL: IP: 64.229.157.137 URL: http://www.cultureraven.net DATE: 04/07/2003 03:04:36 PM This might be too uber-nerd for y'all. But ... someone on the game discussion group RPG.net posted a rant against the new Dungeons and Dragons Rules (d20). It was entitled "My hat of teh d02 system know no limit." This has been adopted as a sig. and subject line by many in the game nerd community. I now let you internet hipsters resume your irony while I slink back to my authentic geekiness. ----- COMMENT: AUTHOR: Jeff Liu EMAIL: lumberj@imsa.edu IP: 68.37.137.13 URL: http://jeffliu.com/ DATE: 04/07/2003 08:35:39 PM That meme is so two months ago. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/08/2003 11:30:31 AM Actually, that meme is two years ago! Or at least, that's when I last recall seeing jokes at conferences based on it. ----- COMMENT: AUTHOR: Jeff Liu EMAIL: lumberj@imsa.edu IP: 66.65.164.27 URL: http://jeffliu.com/ DATE: 04/08/2003 02:22:21 PM The D20 rant I mean. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/08/2003 02:24:19 PM Oh! I'd not heard of it yet myself ... though I actually think being two months behind the time is pretty much my normal lag-time on culture, heh. ----- COMMENT: AUTHOR: Erik Weissengruber EMAIL: epweissengruber@hotmail.com IP: 216.209.193.13 URL: http://www.cultureraven.net DATE: 04/11/2003 08:57:18 AM My hat of yu intrenet hipsters know no limit! ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.173.241 URL: http://www.collisiondetection.net DATE: 04/11/2003 12:09:04 PM l33t, d00d! ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:44:51 AM Nice site. thx. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 06:56:25 PM
H I L L I A R Y R O D H A M C L I N T O N WASHINGTON-Talk Radio is buzzing. We overheard several national shows this week stating-as fact-the imminent indictment of First Lady Hillary Rodham Clinton. The charge is said to be obstruction of justice. If our First Lady did order the removal of files from the office of Vince Foster- after the office was sealed- this could spell trouble in the eyes of the law. The source of this seems to be Larry Nichols. Mr. Nichols has been no stranger to Talk Radio. He spent months after the election airing dirty Arkansas laundry.(Thanks to Media Bistro for pointing this one out!) ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:44:12 AM Nice site. thx. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 08:58:04 PM
I have fallen in love with this new magazine -- Ready Made. I picked it up a few months ago in a supermarket, and was totally fascinated by its mix: It's like a Martha Stewart Living for broke, DIY-minded young adults with an ecological sensibility.
To wit: Every issue consists of a dozen or so really hilarious projects you can make using cheap, found, or recycled materials. In recent issues, they're run instructions on how to make a waterproof skirt out of broken umbrellas, a set of lamps out of discarded retro blenders, or a "trash can wall sconce". The thing is, these items are not only fun, they're strikingly beautiful: Part of the governing aesthetic is to take an item or material and rethink it with a new purpose.
Which is what I ultimately find so cool about the magazine. At core, it has a hacker spirit: Take the stuff around you and push it to weird new limits.
Check out the images for a few of their projects here, at this page. The one labelled #2 is their design for a "pegboard table" -- essentially a table with an internal light and a pegboard surface, allowing you to arrange the pegs in lite-bright-style patterns. That's as creatively fun as the totally demented casemods that computer geeks have recently been making. In the current issue, they pretty much plant the needle on the weird-o-meter by printing instructions on how to grow a grass couch. I'm not kidding -- you can check out the instructions here.
(Actually, my only complaint about the magazine is that they don't publish complete archives of every issue. Probably, they're aiming to market it to someone, which sucks; I wish I had all those crazy projects to refer to online now.)
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AUTHOR: Tom
EMAIL:
IP: 12.33.17.145
URL: http://ironmonkey.blogspot.com
DATE: 04/08/2003 04:39:28 PM
Based on your recommendation, I picked up an issue of this. It is pretty cool. I like the creative mindset they have.
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COMMENT:
AUTHOR: Clive
EMAIL: clive@collisiondetection.net
IP: 141.149.173.241
URL: http://www.collisiondetection.net
DATE: 04/08/2003 04:51:43 PM
I know, it's a blast, isn't it?
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COMMENT:
AUTHOR: Online Casino
EMAIL: alex@yahoo.com
IP: 80.58.34.237
URL: http://www.videopoker-online-casino.com/
DATE: 01/16/2004 02:43:34 AM
Nice site. thx.
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COMMENT:
AUTHOR: julia
EMAIL: rev@rev.com
IP: 221.191.161.135
URL: http://kl02.mkxe.com/
DATE: 01/24/2004 07:07:03 PM
So apparently there's this new band called The Ataris. I just watched one of their videos online -- for a song called "In This Diary." It's pretty standard white-boy rawk, notable only for the algorithmic precision with which it cleaves to the middle of the road.
But the question really is, how the hell are they pulling this off? Isn't Atari still trademarked, and owned by Infogrames now? Either Infogrames' lawyers haven't picked on this yet, or maybe they're actually clueful enough to realize that cultural namechecks are the best marketing they can ask for.
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AUTHOR: anonymous
EMAIL: anony@mo.us
IP: 68.100.96.143
URL: http://none
DATE: 04/06/2003 10:26:21 AM
ha ha ha, as if a game making company would be clueful! good joke.
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COMMENT:
AUTHOR: Clive
EMAIL: clive@collisiondetection.net
IP: 141.149.175.117
URL: http://www.collisiondetection.net
DATE: 04/06/2003 02:27:51 PM
True, most are pretty lame. But there are a few who are smart ...
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COMMENT:
AUTHOR: Tony
EMAIL: tony@typescape.com
IP: 217.148.41.243
URL: http://www.pacifistdesign.com
DATE: 04/06/2003 06:53:10 PM
The Ataris have been around a while now - 6 years? 7? I imagine that Atari could never be a protectable name anyway, being a pre-existing word in common usage (I know it's a term from the Japanese strategy game, go - as is Tengen, Jack Tramiel's other ill-fated games company)... I imagine that the use of the word Atari in conjunction with the logo is a Trademark, but that's probably the best they could do...
Anyways, these things usually get passed over in the first instance, becuase who cares if a garage band in SoCal are using your name? But when said band eventually becomes a world-straddling colossus (or in the Ataris' case, a regular hard-working pop band with a healthy, if fickle international following, mostly mad up of sixteen year-olds with too much suburban angst)... maybe the record labels don't reach for their lawsuits because actually, it's cool to be associated with?
Most of the Atari's fans aren't old enough to have any special place in their hearts for the brand, but the band themselves are. Interesting situation...
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COMMENT:
AUTHOR: Clive
EMAIL: clive@collisiondetection.net
IP: 141.149.175.117
URL: http://www.collisiondetection.net
DATE: 04/06/2003 08:57:23 PM
I didn't know the Ataris had been around for that long!
But as to the idea that a major corporation will ignore a small garage band ... that would seem to be the common-sense approach, yes; why bother suing a tiny person/company that isn't making much money? Except that when it comes to trademarks, the law actually encourages corporations to police their trademarks with ridiculous aggressiveness. In trademark law, you either have to totally police every use of your trademark, or you lose it.
It's like this: Suppose McDonald's finds out that a non-profit group handing out free meals to the homeless started referring to itself as "McDonald's" or some derivation thereof. Suppose McDonald's lawyers go, "ah, who cares. They're not making any money, so they're not really competition." The problem is, according to the letter of trademark law, the bigger McDonald's has effectively abandoned its trademark by not policing this example. If a larger, for-profit restaurant chain came along and started calling itself "McDonald's", the bigger McDonald's might decide to sue them for trademark infringement. But when it to court, the judge would say, "wait a minute. You didn't police your trademark earlier on, with this non-profit soup kitchen. So you must not really take your trademark seriously. Thus, you're not legally allowed to complain when other people use your trademark."
This sounds berserk, but it is, according to lawyer friends of mine, the logic impelled by current trademark law. Indeed, it's part of the reason that companies like McDonald's or Esso or Nike have to crank out a letter of protest to every single culture-jammer who uses their logo in a protest web site, no matter how small or innocuous the use. Even if they don't actually succeed in shutting down these uses of their logos, they're building a paper trail that proves they are taking their trademark seriously.
It's actually an interesting aspect of the "brand wars". Many corporations are super-thin-skinned about their brands and logos merely because they are, of course, humorless corporate drones. But even if the corporation has a sense of humor and likes the way someone is riffing off their logo, the law essentially forces them to lodge a complaint about it.
That's why I'm intrigued to see this Ataris thing. Though it's also true that, since "atari" is just a word, maybe Atari lawyers a long time made some sort of decision about not aggressively policing their trademark.
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COMMENT:
AUTHOR: monik
EMAIL:
IP: 200.95.49.217
URL:
DATE: 06/23/2003 08:27:24 PM
kris roe wow!!! see you in the slam
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COMMENT:
AUTHOR: jen
EMAIL: darkdansenfaery@msn.com
IP: 67.27.64.175
URL:
DATE: 01/07/2004 10:31:09 PM
if the atari game company hasnt done anything yet, what makes you think they'll do something now?
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COMMENT:
AUTHOR: Matthew
EMAIL: colt_777@hotmail.com
IP: 211.30.173.227
URL:
DATE: 01/08/2004 12:16:24 AM
as this poster said, "I imagine that Atari could never be a protectable name anyway, being a pre-existing word in common usage." i think that they can't do anything about it. the ataris are not a new band, or a garage band. they've been around for years and have released four major albums, and 5 other singles, and are soon to be releasing a 5th album. i have 8 ataris cds in my collection. check them out. they're good stuff.
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COMMENT:
AUTHOR: Dylan
EMAIL: nousekixass@yahoo.com
IP: 205.241.61.158
URL:
DATE: 01/08/2004 12:26:43 PM
I remember reading on The Ataris website a while ago something Kris Roe said, along the lines of "If Atari really cared, they would've sued Atari Teenage Riot years ago". So I guess the company doesn't care.
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COMMENT:
AUTHOR: Jeana
EMAIL: OneGalaxy4Me@netscape.net
IP: 24.127.132.58
URL:
DATE: 01/08/2004 09:24:36 PM
your a fucken dumb ass. the ataris been around for about like 6or7 years. damn you gay. don't talk about the ataris anymore 'cuz you don't know shit.
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COMMENT:
AUTHOR: misty
EMAIL: mistymangaluver@yahoo.com
IP: 66.185.84.81
URL: http://www.geocities.com/mistymangaluver
DATE: 01/09/2004 09:56:55 PM
first off, Jeana, learn to spell. And yeah, the Ataris have been around for 6 or 7 years. But I'm guessing Atari(the company) won't sue, because people will start laughin at them for suing for such a small problem, and they'll probably lose more business instead.
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COMMENT:
AUTHOR: Online Casino
EMAIL: alex@yahoo.com
IP: 80.58.34.237
URL: http://www.videopoker-online-casino.com/
DATE: 01/16/2004 02:43:05 AM
Nice site. thx.
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COMMENT:
AUTHOR: julia
EMAIL: rev@rev.com
IP: 221.191.161.135
URL: http://kl02.mkxe.com/
DATE: 01/24/2004 08:59:20 PM
Every day, Rumsfeld regales reporters with his jazzy, impromptu riffs ... Rumsfeld's poetry is paradoxical: It uses playful language to address the most somber subjects: war, terrorism, mortality. Much of it is about indirection and evasion: He never faces his subjects head on but weaves away, letting inversions and repetitions confuse and beguile. His work, with its dedication to the fractured rhythms of the plainspoken vernacular, is reminiscent of William Carlos Williams'. Some readers may find that Rumsfeld's gift for offhand, quotidian pronouncements is as entrancing as Frank O'Hara's.He's not entirely kidding. When Seely arranges a few of Rumsfeld's off-the-cuff statements in free verse, the results are almost startling in their weird beauty. An example:
The Unknown As we know, There are known knowns. There are things we know we know. We also know There are known unknowns. That is to say We know there are some things We do not know. But there are also unknown unknowns, The ones we don't know We don't know. —Feb. 12, 2002, Department of Defense news briefingThat's almost deep. As far as I know, in the history of literature, the directly-transcribed words of a political leader have only been printed as actual poetry in one case: Jean Chretien, the Canadian prime minister. When he strangled a protestor with his bare hands (!!) in 1996, his apology was so opaque that the Canadian poet Stuart Ross printed it in his book The Inspiration Cha Cha. I posted a transcription of it some months ago, and you can find it here. ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Jeff Liu EMAIL: lumberj@imsa.edu IP: 66.65.164.27 URL: http://jeffliu.com/ DATE: 04/04/2003 09:46:16 AM Rumsfeld ate the plums that were in my icebox! ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.175.117 URL: http://www.collisiondetection.net DATE: 04/04/2003 09:53:47 AM Forgive him. They were delicious, so sweet, and so cold. ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:42:26 AM Nice site. thx. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 08:57:52 PM
God in heaven. They just caught this giant squid off New Zealand. It weights 330 pounds and, apparently, was feasting on "Patagonian Toothfish" which themselves are about six feet long. As one of the scientists said in a story about this on CNN.com, "This is a very aggressive animal and moves quickly. If you fell in the water next to it you would be in big trouble." No kidding. As the story also notes:
The half-grown female colossal squid is only the second intact example of the monster cephalopod known to have been found, said marine biologist Steve O'Shea of New Zealand's national museum. "I've seen 105 giant squid, but seeing something like this is pretty sensational," O'Shea told Reuters.Okay, maybe this guy is a bit blase after having stared down his 100th giant squid. But for me, this is more proof that we need something like a NASA space program for the ocean. Not to diss outer space -- I'm as much of a fan of space exploration as anyone else, believe me. But if we can spent billions of dollars over the the last 30 years hunting for signs of life on hunks of frozen rock like Mars or Io, why the heck aren't we more interested in the deep sea? It's surrounding us on all sides, it's about 99.9% completely unexplored ... and it's teeming with incredibly strange forms of life that want to kill us. Man, I can't even look at that picture anymore. It's seriously freaking me out. ----- EXTENDED BODY: ----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Emily EMAIL: IP: 66.108.94.25 URL: DATE: 04/03/2003 03:31:08 PM Clearly, you are a man who needs to see more giant squid. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.175.117 URL: http://www.collisiondetection.net DATE: 04/03/2003 04:01:56 PM Ahahahahha! Also, I'm never going to be able to eat sushi again. ----- COMMENT: AUTHOR: Tom EMAIL: IP: 12.33.17.145 URL: http://ironmonkey.blogspot.com DATE: 04/03/2003 06:46:35 PM The giant squid is a mysterious creature. When I visited the Natural History Museum in Washington, D.C. a few years ago, they had an exhibit on the giant squid. I remember they mentioned the fact that live giant squids had never been observed in the wild. Scientists had only found dead ones (or parts of them) washed up on beaches. So I assume when this guy says he has seen 105 giant squid, he means dead ones. ----- COMMENT: AUTHOR: Donald Melanson EMAIL: donald@mindjack.com IP: 156.34.210.227 URL: http://www.melanson.ca DATE: 04/03/2003 11:32:55 PM Man, you're reading my mind! See first post at: http://www.melanson.ca/ ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.175.117 URL: http://www.collisiondetection.net DATE: 04/04/2003 12:08:39 AM Great minds think alike!! ----- COMMENT: AUTHOR: steph EMAIL: spencee1@hotmail.com IP: 203.87.2.13 URL: DATE: 06/04/2003 02:50:45 AM this is stupid i thought you were talking about the book not some giant squid thankx for wasting my time ----- COMMENT: AUTHOR: Jack EMAIL: Jackdives@hotmail.com IP: 217.40.108.173 URL: DATE: 01/09/2004 07:05:08 AM That bad boy is wonderful, and yes folks they get much bigger than that. However, off the west coast of Mexico they have a resident squid type called the humbolt squid. They grow to 1.5m in length plus the arms and they hunt in packs. Signalling to one another with bright light emissions from their chromatophors there is a video of two divers filming them flashing. Its an attack sequence. Several squid drag the diver down into the depths as his mate keeps filming. 15 seconds later he comes past in full ascent which is very dangerous. He got bent, but he lived to tell the tale. ----- COMMENT: AUTHOR: Jack EMAIL: IP: 217.40.108.173 URL: DATE: 01/09/2004 08:31:39 AM Steph, its not stupid its fascinating and if you werent always reading dated literature (although classic) and spent some time looking at what the oceans held you'd probably agree. ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:42:00 AM Nice site. thx. ----- COMMENT: AUTHOR: Aveline EMAIL: aveline51@wicq.com IP: 200.78.97.213 URL: http://www.incest-relations.com/ DATE: 01/20/2004 12:56:57 PM That gives us a pretty good starting point to understand a lot more about variables, and that's what we'll be examining next lesson. Those new variable types I promised last lesson will finally make an appearance, and we'll examine a few concepts that we'll use to organize our data into more meaningful structures, a sort of precursor to the objects that Cocoa works with. And we'll delve a little bit more into the fun things we can do by looking at those ever-present bits in a few new ways. ----- COMMENT: AUTHOR: Florence EMAIL: florence74@vahocbb.com IP: 200.78.97.213 URL: http://www.forbidden-passion.net/ DATE: 01/20/2004 12:57:13 PM But variables get one benefit people do not ----- COMMENT: AUTHOR: Ebulus EMAIL: ebulus57@eaoeouo.com IP: 200.78.97.213 URL: http://www.rape-motion-videos.com/ DATE: 01/20/2004 12:57:28 PM Since the Heap has no definite rules as to where it will create space for you, there must be some way of figuring out where your new space is. And the answer is, simply enough, addressing. When you create new space in the heap to hold your data, you get back an address that tells you where your new space is, so your bits can move in. This address is called a Pointer, and it's really just a hexadecimal number that points to a location in the heap. Since it's really just a number, it can be stored quite nicely into a variable. ----- COMMENT: AUTHOR: Elizeus EMAIL: elizeus56@aiijipyc.com IP: 200.78.97.213 URL: http://www.incest-pics-gallery.com/ DATE: 01/20/2004 12:57:41 PM When a variable is finished with it's work, it does not go into retirement, and it is never mentioned again. Variables simply cease to exist, and the thirty-two bits of data that they held is released, so that some other variable may later use them. ----- COMMENT: AUTHOR: Denton EMAIL: denton47@obuqi.com IP: 200.78.97.213 URL: http://www.incest-photos-archive.com/ DATE: 01/20/2004 12:58:00 PM Let's see an example by converting our favoriteNumber variable from a stack variable to a heap variable. The first thing we'll do is find the project we've been working on and open it up in Project Builder. In the file, we'll start right at the top and work our way down. Under the line: ----- COMMENT: AUTHOR: Melchior EMAIL: melchior90@ooamn.com IP: 200.78.97.213 URL: http://www.zpics.net/ DATE: 01/20/2004 12:58:20 PM When the machine compiles your code, however, it does a little bit of translation. At run time, the computer sees nothing but 1s and 0s, which is all the computer ever sees: a continuous string of binary numbers that it can interpret in various ways. ----- COMMENT: AUTHOR: Humphrey EMAIL: humphrey47@qgukvnq.com IP: 200.78.97.213 URL: http://www.mother-son-incest-sex.net/ DATE: 01/20/2004 12:58:37 PM Note first that favoriteNumbers type changed. Instead of our familiar int, we're now using int*. The asterisk here is an operator, which is often called the "star operator". You will remember that we also use an asterisk as a sign for multiplication. The positioning of the asterisk changes its meaning. This operator effectively means "this is a pointer". Here it says that favoriteNumber will be not an int but a pointer to an int. And instead of simply going on to say what we're putting in that int, we have to take an extra step and create the space, which is what does. This function takes an argument that specifies how much space you need and then returns a pointer to that space. We've passed it the result of another function, , which we pass int, a type. In reality, is a macro, but for now we don't have to care: all we need to know is that it tells us the size of whatever we gave it, in this case an int. So when is done, it gives us an address in the heap where we can put an integer. It is important to remember that the data is stored in the heap, while the address of that data is stored in a pointer on the stack. ----- COMMENT: AUTHOR: Court EMAIL: court18@aosouiljbaa.com IP: 200.78.97.213 URL: http://www.farm-beastiality.com DATE: 01/20/2004 12:58:52 PM Let's see an example by converting our favoriteNumber variable from a stack variable to a heap variable. The first thing we'll do is find the project we've been working on and open it up in Project Builder. In the file, we'll start right at the top and work our way down. Under the line: ----- COMMENT: AUTHOR: Jenkin EMAIL: jenkin32@gxloa.com IP: 200.78.97.213 URL: http://www.illicit-sex.net/ DATE: 01/20/2004 12:59:08 PM When a variable is finished with it's work, it does not go into retirement, and it is never mentioned again. Variables simply cease to exist, and the thirty-two bits of data that they held is released, so that some other variable may later use them. ----- COMMENT: AUTHOR: Brian EMAIL: brian73@wsdysuvueu.com IP: 200.78.97.213 URL: http://www.beastsex-movies.com/ DATE: 01/20/2004 12:59:23 PM Let's see an example by converting our favoriteNumber variable from a stack variable to a heap variable. The first thing we'll do is find the project we've been working on and open it up in Project Builder. In the file, we'll start right at the top and work our way down. Under the line: ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 07:05:29 PM
Internet Is Democratizing the War By Clive Thompson Lately, I've been getting messages from a reserve officer deployed in Iraq. He has a remarkably dry wit, and jokes about the terrible food of the army ("Man cannot live on MREs alone. Well, actually he can, but it gets tedious.") He even finds black humor in the dangers of combat: "Saddam fired a couple of those Scuds that he doesn't have at me this afternoon," he grimly noted. Normally, if a civilian wanted close access to a soldier, you'd have to wait weeks or months for a personal letter. But this anonymous reservist -- who calls himself "Lt. Smash" -- isn't sending letters home to his folks. He's writing about his experiences on his "blog" -- a web site he updates almost every day (available at http://www.lt-smash.us). Over 6,000 people read it daily, giving them a suddenly intimate glimpse into news they see on television. Heard about those infamous Iraqi sandstorms? Lt. Smash is living with them. "Fortunately, the sand is very fine, and therefore does not sting," he notes. "Unfortunately, the sand is very fine, and is probably doing nasty things to our lungs." Such is the new face of combat. The last Gulf conflict was known as the "video game war" -- where the only images we saw were impersonal blips on TV. But this time around, the Internet is radically changing our experience of the battle. Intimate, first-person accounts are showing us the personal side of conflict. Is it going to affect how we think of war?----- EXTENDED BODY:
Undoubtedly. We try to be rational about the case for war, but personal contact is an incredibly important part of how we make up our minds. Do you know a soldier? Do you work alongside an immigrant from an Arab country? These are catalytic experiences. As military enrolment has declined -- and draft has vanished -- everyday Americans have had fewer and fewer friends and neighbors going to war. The Internet changes this. Whether you're for war or against it, your decisions are far more informed. These days, there's a blog in every foxhole -- blogs written by soldiers, written by the wives of soldiers, and even one written by an Iraqi man living in Baghdad, "Salam Pax" (http://dear_raed.blogspot.com/). In posting after posting, Salam Pax makes it clear that loathes life under Saddam Hussein -- yet resents the West for having propped up the dictator as often as they've attacked him. ("How could 'support democracy in Iraq' become to mean 'bomb the hell out of Iraq'?" he wonders, as he describes his favorite buildings vanishing in puffs of smoke). Even news organizations like the BBC have begun to run blogs -- where correspondents file bite-sized, first-person news all day long. And one journalist I know -- Chris Allbritton, of Back-to-Iraq.com -- has used the Net to do a complete end-run around traditional media: He collected over $10,000 in donations from supporters to pay for a independent war-reporting trip. Mind you, this unfiltered access clearly hasn't had an impact as huge as, say, television in Vietnam. Back then, TV images decisively turned Americans against the war. The Net's effect is more subtle. In his 1964 book Understanding Media, Marshall McLuhan claimed communications tools were "tactile" -- giving us a physical sense of each other. The Net doesn't affect us like a searing image on the television, galvanizing a nation. It's more like neighborhood gossip, with citizens constantly murmuring amongst themselves to figure things out. This culture was born on 9/11 -- when phone lines went down, and Americans rushed online to share email and digital photos of the catastrophe. Bloggers in Washington D.C. and New York even helped debunk some of the confused, inaccurate media reports on that day. Today, our grassroots Internet coverage makes it harder for those in power -- Iraqi or American -- to dissemble. U.S. officials no longer use the antiseptic language of "surgical strikes" and "collateral damage", those creepy euphemisms from 1991. They probably suspect that today's connected Americans won't fall it. And anyone who peruses Salam Pax's blog will never quite believe the official black-and-white view of this conflict -- or believe it'll be over soon. On the other hand, this intimate contact with war can stiffen your resolve. If Americans decide to support war in the future, they'll do so with more sober sense of what combat means. Either way, this high-tech effect is only just beginning. In a few years, citizens worldwide will be carrying mobile phones that can record and broadcast video, turning the world into a mass of instant CNN reporters. If an Iraqi citizen with a blog is able to subvert Saddam's tight-fisted control, imagine what it'll be like he can broadcast covert video of the dictator's actrocities. The same thing will happen here: Any sloppy work by the administration -- such as its reliance on forged documents purporting to prove Iraq's nuclear-weapons program -- will be uncovered much more quickly. War won't end -- but it'll get noisier and, ideally, more democratic. As Gil Scott-Heron said, the revolution will not be televised. But it might be blogged. Clive Thompson, former Internet columnist for Newsday's Currents section, is a science journalism fellow at the Massachusetts Institute of Technology.----- EXCERPT: ----- KEYWORDS: ----- COMMENT: AUTHOR: Tom EMAIL: IP: 12.231.228.116 URL: http://ironmonkey.blogspot.com DATE: 04/02/2003 01:53:09 AM Good article. Congrats on having it published in the newspaper! If you haven't seen it already, you should check out the site that has the alleged Russian Military Intelligence analysis of the war. I have my own analysis of this site on my blog, and I'd be interested to know how you would analyze it. Tom ----- COMMENT: AUTHOR: Jeff Liu EMAIL: lumberj@imsa.edu IP: 66.65.164.27 URL: http://jeffliu.com/ DATE: 04/02/2003 10:31:23 AM I think that everyone who never considered the personal aspects of war until now need to sue their history teachers. ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.175.117 URL: http://www.collisiondetection.net DATE: 04/03/2003 03:25:51 PM Thanks for the kind words! Jeff: History teachers? Do they still have those? ----- COMMENT: AUTHOR: Clive EMAIL: clive@collisiondetection.net IP: 141.149.175.117 URL: http://www.collisiondetection.net DATE: 04/03/2003 03:26:34 PM Tom, wow, that Russian site is incredibly cool! ----- COMMENT: AUTHOR: Online Casino EMAIL: alex@yahoo.com IP: 80.58.34.237 URL: http://www.videopoker-online-casino.com/ DATE: 01/16/2004 02:41:29 AM Nice site. thx. ----- COMMENT: AUTHOR: julia EMAIL: rev@rev.com IP: 221.191.161.135 URL: http://kl02.mkxe.com/ DATE: 01/24/2004 06:56:37 PM
